Feb. 14–Mar. 9, 2025 Shower, Seoul, Korea, two-person exhibition with Muyeong Kim, “Everyone Else Is Asleep”
exhibition text; Muyeong Kim; a Featurette: sfumato, 2022; courtesy of the artist
exhibition text; Muyeong Kim; a Featurette: tantalus, 2022; courtesy of the artist
exhibition text; Muyeong Kim; a Featurette: easel, 2022; courtesy of the artist
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm, detail; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Summery of a November Morning, 2025; oil on black canvas, each 41.5 × 24.5 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm, detail; courtesy of the artist; photo: uma shin
Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Bathroom, 2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel, variable dimensions; courtesy of the artist; photo: Joseph Lee
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; G, 2025; oil on black canvas, 25 × 25 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Tantalus, 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Cream & Lotion, 2025; panel 1 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Cream & Lotion, 2025; panel 2 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Mirror, 2025; oil on black canvas, 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Hotel, 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; installation view; Shower, Seoul, Korea; Everyone Else Is Asleep, 2025; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Picture Plane (The Richter candle, sq.), 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Picture Plane (The Richter candle, tri.), 2025; oil on black canvas, 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Easel, 2021; oil, copper powder, corrugated polypropylene sheet, and acrylic polymer, framed, 28 × 23 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Sfumato, 2025 (re: 2021); oil on black canvas, 97 × 97 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee
Yonsok YI; Clock, 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee