site published work index

Jul. 19–Aug. 16, 2025 Whistle & Shower, Seoul, Korea, group exhibition, “Rooms of Convergence”; with dpgp78, Leesop CHO, Yuki GRAY, Magnus Peterson HORNER, Yelim KI, Kyoungtae KIM, Taeyoon KIM, Jookyung LEE, Jeman SEO

⒞ Whistle, 2025.

⒞ Shower, 2025.

Yonsok YI; R2516, 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm (7‑unit composition); courtesy of the artist; photo: Joseph Lee

Yonsok YI; R2517, 2023/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 14 × 14 × 2.7 cm (5‑unit composition); courtesy of the artist; photo: Joseph Lee

Yonsok YI; 섬전암 Fulgurite, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 14 × 14 × 2cm; courtesy of the artist

Yonsok YI; 함 Korean Wedding Chest, 2023; oil, acrylic polymer, and phosphorescent pigment inlaid on hand-carved and finely sanded wooden panel, 20 × 20 × 4.2 cm; courtesy of the artist

Yonsok YI; Gilded Script (Bonds with Blots), 2021; oil on paper mounted on wooden panel with brass nails, 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee

Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist

Yonsok YI; 함 Korean Wedding Chest, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist

Yonsok YI; Bonds with Blots, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist

Yonsok YI; Reciter’s Tongue, 2022; oil and acrylic polymer inlaid on an engraved and charred wooden panel, 14 × 14 × 2.7 cm; installation view from Eyes Far Lips Act.2; courtesy of the artist; photo: uma shin

Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee

Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm, detail; courtesy of the artist; photo: Joseph Lee