https://yonsokyi.com/drive 2026-04-07T10:27:14+00:00 always 0.5 https://yonsokyi.com/untitled-page 2026-04-07T10:27:15+00:00 always 0.5 https://yonsokyi.com/nav 2026-04-08T09:10:55+00:00 always 0.5 https://yonsokyi.com 2026-04-08T07:56:30+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2744999502553390988249672703774/SDIM2368.jpg https://freight.cargo.site/t/original/i/G2745073891945007041588963827486/kagami-ita-amb.jpg https://yonsokyi.com/nav-copy 2026-04-07T10:27:15+00:00 always 0.5 https://yonsokyi.com/published-work-1 2026-04-07T20:58:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2744999502553390988249672703774/SDIM2368.jpg ⒞ Yonsok YI, 2017. https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2748549486474910439942347546398/gwansoo.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg ⒞ Yonsok YI, 2022. https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/S2867542627232267548931638681374/0228_shower_0059-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627269161037079057784606/0228_shower_0071-copy.jpg Yonsok YI; Little Effie’s Head; 2026; colored pencil on canvas; oil on black canvas; 30 × 40 cm each (2 canvases); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867542627158480572636800474910/0228_shower_0006-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627195374060784219578142/0228_shower_0030-copy.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867542627250714293005348232990/0228_shower_0066-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867561623597080934659345080094/DSC06349.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Q2867561623560187446511925976862/DSC05382.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Y2867561623670867910954183286558/L1001959.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/C2867561623578634190585635528478/DSC05394.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/J2867561623689314655027892838174/L1001999.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/V2867561623615527678733054631710/L1001927.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Z2867561623707761399101602389790/L1002002.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/M2867565596380118369116928859934/L1002004.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/N2867599114999544014910273609502/R2517_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 14 × 14 × 2.7 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114833523318246887644958/250719_39_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/G2867599115036437503057692712734/Wedding_Chest_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/T2867599114944203782689144954654/ita.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867599114925757038615435403038/img20211127_18115591.jpg Yonsok YI; Bonds with Blots; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114981097270836564057886/R2516_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (× 4), 14 × 14 × 4.2 cm (× 2), 14 × 14 × 2.7 cm (× 1) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114907310294541725851422/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/D2867599115091777735278821367582/_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; oil, acrylic polymer and phosphorescent pigment on wood panel; 20 × 20 × 4.2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114796629830099468541726/250719_13_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599114851970062320597196574/250719_59_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599115073330991205111815966/_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/V2867599114888863550468016299806/Bonds_with_Blots_2021.jpg Yonsok YI; Gilded Script (Bonds with Blots); 2021; oil on paper, wood panel, brass nails, acrylic polymer; 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867599114962650526762854506270/kagami.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867599115017990758983983161118/Tongue_2022.jpg Yonsok YI; Reciter’s Tongue; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2.7 cm; installation view, Eyes Far Lips Act.2, 2023; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2867599114870416806394306748190/250719_61_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/H2867599115054884247131402264350/_2025.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867678899455059073860997209886/250719_12.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/X2867764397014787713249532698398/Tobias.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867764396793426784365018079006/R2505.jpg Yonsok YI; R2505 (꿈은 글에서 태어나지 않았고); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 14 × 14 × 4.2 cm (×1) (4 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867764396645852831775341666078/0603_yonsok_0154-1.jpg Yonsok YI; R2508 (거짓말); 2021, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396811873528438727630622/R2506.jpg Yonsok YI; R2506 (이 세상에 동양은 없다); 2021, 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas; 28 × 28 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396664299575849051217694/Angel.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867764396904107248807275388702/R2512.jpg Yonsok YI; R2512 (나르는 도둑들); 2023, 2025; oil, acrylic polymer, ceramic powder and phosphorescent pigment on wood panel; 14 × 14 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×4) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867764396756533296217598975774/R2503.jpg Yonsok YI; R2503 (나르는 도둑들); 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×2) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396719639808070179872542/R2501.jpg Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 21 × 21 × 4.2 cm (×2) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396774980040291308527390/R2504.jpg Yonsok YI; R2504 (나르는 도둑들); 2022, 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×1), 14 × 14 × 4.2 cm (×3) (6 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2867764396977894225102113595166/Tobias-and-the-Angel_Hotel.jpg Yonsok YI; Tobias and the Angel (overpainted on Hotel); 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764397051681201396951801630/.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764396682746319922760769310/liste_1.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim (presented by Whistle); courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/X2867764396885660504733565837086/R2511.jpg Yonsok YI; R2511 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2867764396922553992880984940318/R2513.jpg Yonsok YI; R2513 (나르는 도둑들); 2022, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (×1), 19.7 × 19.7 × 1.9 cm (×1), 14 × 14 × 2.7 cm (×2), 14 × 14 × 1.9 cm (×1) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764397033234457323242250014/Tobit.jpg Yonsok YI; The Blindness of Tobit; 2025; oil on paper, wood panel, brass nails, acrylic polymer; 27.5 × 22 × 2.7 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396867213760659856285470/R2510.jpg Yonsok YI; R2510 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764396959447481028404043550/R2515.jpg Yonsok YI; R2515 (Usurer); 2025; oil and acrylic polymer on wood panel; 18 × 25.8 × 2.6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396941000736954694491934/R2514.jpg Yonsok YI; R2514; 2025; oil and acrylic polymer on wood panel; 21 × 29.8 × 2.5 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396701193063996470320926/liste_2.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/S2867764396738086552143889424158/R2502.jpg Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다); 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×3), 14 × 14 × 2.7 cm (×3) (10 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396830320272512437182238/R2507.jpg Yonsok YI; R2507 (중국의 새들); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867764396996340969175823146782/Tobias_and_the_Angel_Sfumato.jpg Yonsok YI; Tobias and the Angel (overpainted on Sfumato); 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867764396848767016586146733854/R2509.jpg Yonsok YI; R2509; 2022, 2024; oil, ceramic powder, and acrylic polymer on wood panel, 21 × 21 × 2.7 cm (×1), 15 × 15 × 4.2 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2867952180552919963236948500254/19_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180257772058057595674398/7.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867952180128644849541628813086/4.jpg Yonsok YI; Bathroom; 2025; oil, acrylic polymer, ceramic powder and phosphorescent pigment on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180442239498794691190558/14.jpg Yonsok YI; Summery of a November Morning; 2025; oil on black canvas; 41.5 × 24.5 cm each (4 canvases); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867952180589813451384367603486/20.jpg Yonsok YI; Hotel; 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180350005778426143432478/12_1.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2025 (image 2017); oil on polyester canvas, wood panel, acrylic polymer, brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180110198105467919261470/3.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867952180147091593615338364702/5_1.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180460686242868400742174/15.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180479132986942110293790/16_1.jpg Yonsok YI; Mirror; 2025; oil on black canvas; 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180423792754720981638942/13.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180331559034352433880862/11.jpg Yonsok YI; Sfumato; 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180405346010647272087326/13_2.jpg Yonsok YI; Tantalus; 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180202431825836467019550/6_1.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180220878569910176571166/6_2.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867952180313112290278724329246/10.jpg Yonsok YI; Easel; 2021; oil, copper powder and acrylic polymer on corrugated polypropylene sheet; framed; 28 × 23 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180294665546205014777630/9.jpg Yonsok YI; Picture Plane (The Richter Candle, tri); 2025; oil on black canvas; 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867952180516026475089529397022/18_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180183985081762757467934/5.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180239325313983886122782/6.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180368452522499852984094/12_2.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2025 (image 2017); oil on polyester canvas, wood panel, acrylic polymer, brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2867952180534473219163238948638/18_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180276218802131305226014/8.jpg Yonsok YI; Picture Plane (The Richter Candle, sq); 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2867952180626706939531786706718/dog_ns_yonsokyi.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180571366707310658051870/19_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180386899266573562535710/13_1.jpg Yonsok YI; G; 2025; oil on black canvas; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180165538337689047916318/5_2.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180608260195458077155102/21.jpg Yonsok YI; Clock; 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867956163776814543414138494750/0212_0085.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867956163758367799340428943134/0212_0057.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867956163721474311193009839902/0212_0045.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867956163684580823045590736670/0212_0031.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867956163739921055266719391518/0212_0053.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868019289069990355637345443614/2.jpg Yonsok YI; Object So Foreign; 2024; lime-based medium, oil, and blue ceramic pigment on wood panel; 15 × 15 × 4.2 cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/M2868019289180670820079602753310/3.jpg installation view; 터 Teo; 2025; Bio Gallery, Seoul, Korea; courtesy of Bio Gallery https://freight.cargo.site/t/original/i/M2868020958943050884120795930398/snumoa2.jpg Yonsok YI; Composition for Lee, 2024; from Relic series (2021, 2023); oil, acrylic polymer and phosphorescent pigment on wood panel, PVC; variable dimensions; courtesy of the artist; photo: Ku and Park https://freight.cargo.site/t/original/i/J2868020958832370419678538620702/snumoa1.jpg Yongjae Lee & Yonsok YI, 여러 그림의 나열; installation view; Lost and Found, 2024; Seoul National University Museum of Art, Seoul, Korea; courtesy of the artists; photo: Ku and Park https://freight.cargo.site/t/original/i/I2868049653222392420802525650718/prv_Shower.jpg installation view; works by Simon Shim-Sutcliffe & Yonsok YI; courtesy of Shower https://freight.cargo.site/t/original/i/B2868056252083916188551877484318/0509_0127-17.jpg Yonsok YI; Disloyalty Production Intro 7/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2868056252194596652994134794014/N0026090.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/J2868056252231490141141553897246/sook2.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/U2868056252065469444478167932702/0509_0127-16.jpg Yonsok YI; Disloyalty Production Intro 6/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056251991682468183329726238/0509_0127-12.jpg Yonsok YI; Disloyalty Production Intro 2/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868056252157703164846715690782/20240608-000031.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/U2868056252102362932625587035934/0509_0127-18.jpg Yonsok YI; Disloyalty Production Intro 8/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868056251844108515593653313310/0509_0055.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868056251954788980035910623006/0509_0077.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868056252120809676699296587550/0509_0127-19.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056252010129212257039277854/0509_0127-13.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2868056252176149908920425242398/N0026029.jpg boma pak; fldjf-Pre-Cartier-Crystals (leaning on Yi, Lee, Park); 2024; oil, oil pastel, marker, glitter powder, rhinestone, glue on black canvas; nail, digital image, QR code, digital print, yarn, adhesive tape, variable dimensions; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/W2868056252047022700404458381086/0509_0127-15.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868056251936342235962201071390/0509_0065.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868056252139256420773006139166/0509_0309.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2868056252213043397067844345630/sook2_cartier.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/X2868056252028575956330748829470/0509_0127-14.jpg Yonsok YI; Disloyalty Production Intro 4/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2868056251973235724109620174622/0509_0127-1.jpg Yonsok YI; Disloyalty Production Intro 1/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868080735838582668807322197790/2.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/X2868080735857029412881031749406/3.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/P2868080735875476156954741301022/4.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/F2868084809562203674603572420382/1.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://freight.cargo.site/t/original/i/U2868084809728224371266958384926/5.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/V2868084809691330883119539281694/3.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/N2868084809709777627193248833310/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/C2868084809672884139045829730078/2.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/Q2868102302185333659676050186014/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/M2868102302296014124118307495710/pack.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/J2868115577532280257344547053342/amb10.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868115577421599792902289743646/amb3.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577476940025123418398494/amb7.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577495386769197127950110/amb8.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868115577661407465860513914654/reciter.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868115577403153048828580192030/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868115577606067233639385259806/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868115577513833513270837501726/amb9.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2868115577458493281049708846878/amb5.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868115577440046536975999295262/amb4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868115577624513977713094811422/jibin.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2868115577642960721786804363038/noma.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577292472584386322882334/amb1.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577550727001418256604958/hanjoo.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868120494253658687593596575518/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/Y2868120494401232640183272988446/yokohama_noh.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/F2868120494382785896109563436830/Ushio-Shrine.jpg ⒞ Ushio Shrine https://freight.cargo.site/t/original/i/P2868120494419679384256982540062/yokohama_noht.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/X2868137703018290866423494074142/efla2_2023_2.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868137703036737610497203625758/efla2_2023_3.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703073631098644622728990/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Tantalus, 2022, 2023; text engraving on cowhide; each 225 × 143 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/T2868137703424119236045104209694/efla2_2023_24.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702852270169760108109598/ambassadors.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703239651795308008693534/efla2_2023_14.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703110524586792041832222/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703092077842718332280606/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Easel, 2022, 2023; text engraving on lambskin; each 230 × 162 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703516352956413651967774/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868137703368779003823975554846/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial tunic in the form of a cross; 2023; wool, cotton, linen, interfaced in silk organza; approx. 240 × 240 cm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703055184354570913177374/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Sfumato, 2022, 2023; text engraving on cowhide; each 210 × 170 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703147418074939460935454/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702999844122349784522526/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703405672491971394658078/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial robe of rectangular construction; 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703479459468266232864542/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703497906212339942416158/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 160 × 160 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703461012724192523312926/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703331885515676556451614/efla2_2023_19.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703128971330865751383838/efla2_2023_8.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703165864819013170487070/efla2_2023_10.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868137703313438771602846899998/efla2_2023_18.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703387225747897685106462/efla2_2023_22.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703258098539381718245150/efla2_2023_15.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703350332259750266003230/efla2_2023_20.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703276545283455427796766/efla2_2023_16.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868137703221205051234299141918/efla2_2023_13.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868137703202758307160589590302/efla2_2023_12.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; The Ambassadors, 2023; oil on linen; each 25 × 25 cm courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/P2868137703294992027529137348382/efla2_2023_17.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 150 × 140 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703442565980118813761310/efla2_2023_25.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137702981397378276074970910/efl_2022.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868137703184311563086880038686/efla2_2023_11.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2868168702292091389408536420126/yon_ROC9328_2.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/J2868168702273644645334826868510/yon_ROC9319_3.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/C2868168702052283716450312249118/yon_ROC9187_4.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/K2868168702310538133482245971742/yon_ROC9334_1.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/Z2868182076181544828833458020126/0105_0212.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182075960183899948943400734/0105_0092-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 146 × 73 × 3 cm (2 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182076107757852538619813662/0105_0174-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; detail; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182076126204596612329365278/0105_0176.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182075904843667727814745886/0105_0080.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076015524132170072055582/0105_0121.jpg Yonsok YI; you will never learn “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182075941737155875233849118/0105_0089-1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 91 × 73 × 3 cm (1 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868182075886396923654105194270/0105_0072.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076089311108464910262046/0105_0170.jpg Yongjae Lee; 연석_5; 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182076033970876243781607198/0105_0125-1.jpg Yonsok YI; Closed Open; 2022; oil on black canvas; 101 × 81 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182075867950179580395642654/0105_0061_2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182075849503435506686091038/0105_0061_1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 117 × 91 × 3 cm, 146 × 73 × 3 cm, 91 × 73 × 3 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2868182076070864364391200710430/0105_0145-1.jpg Yonsok YI; Opened Colse; 2022; oil on black canvas; 33 × 53 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2868182075609695762548461920030/0105_0055.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2868182076273778549202005778206/.jpg Yonsok YI; 함 函, 2021/2022; oil on black canvas, oil on paper, oil on wood, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868182076218438316980877123358/Century.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076236885061054586674974/Tail_1.jpg Yonsok YI; Tail; 2022; oil on wood; 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868182075923290411801524297502/0105_0086.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868182075978630644022652952350/0105_0096-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 117 × 91 × 3 cm (3 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2868182076255331805128296226590/Tail_2.jpg Yonsok YI; Tail; 2022; oil on wood, 4 × 8 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868182076052417620317491158814/0105_0135-1.jpg Yonsok YI; “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076199991572907167571742/0105_0216.jpg Yonsok YI; 섬전암 Fulgurite “벼락이 땅에 떨어질 때, 땅속의 모래 성분이 녹았다 다시 굳어지며 나뭇가지 모양의 줄기가 생기다.”; 2022; oil on wood; 13 × 13 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182076163098084759748468510/0105_0184.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View;2023; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2868182075997077388096362503966/0105_0107-1.jpg Yonsok YI; Rose; 2022; oil and acrylic polymer on linoleum block; oil and soot on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868198301697824390796835282718/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/E2868202689846198132972392800030/efl23.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202690086005805930616971038/piano2of3.jpg Yonsok YI; Piano (panel 2 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868202689864644877046102351646/efl24.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/X2868202689883091621119811903262/efl25.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202690104452550004326522654/piano3of3.jpg Yonsok YI; Piano (panel 3 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868202689495709995571911319326/efl4.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/G2868202690030665573709488316190/IMG_2987.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips; courtesy of the artists; photo: Yonsok YI https://freight.cargo.site/t/original/i/T2868202689993772085562069212958/eflns1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868202689753964412603845041950/efl18.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/P2868202689514156739645620870942/efl5.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/L2868202690067559061856907419422/piano1of3.jpg Yonsok YI; Piano (panel 1 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868202689532603483719330422558/efl6.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868202689477263251498201767710/efl3.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/O2868202689790857900751264145182/efl20.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202689551050227793039974174/efl7.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/J2868202689440369763350782664478/efl1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/M2868202689569496971866749525790/efl8.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/I2868202689606390460014168629022/efl10.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/N2868202690049112317783197867806/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868202689680177436309006835486/efl14.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689587943715940459077406/efl9.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/D2868202689919985109267231006494/efl27.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/A2868202689735517668530135490334/efl17.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868202690012218829635778764574/eflns2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868202689772411156677554593566/efl19.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689458816507424492216094/efl2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868202689255902322613687148318/easel-copy.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868202689809304644824973696798/efl21.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/R2868202689624837204087878180638/efl11.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202689956878597414650109726/efl29.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868202689643283948161587732254/efl12.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/E2868202689661730692235297283870/efl13.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689938431853340940558110/efl28.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689901538365193521454878/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Z2868233074751187281060818575134/2022_0621-18_R1.jpg Yonsok YI; An Old Woman; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/B2868233074511379608102594404126/2022_0621-16_R1.jpg Yonsok YI; Mother of Pearl; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/Z2868233074788080769208237678366/aga_2.jpg Yonsok YI; installation view, Are we being Good, Ancestors?, 2022; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/T2868233074732740536987109023518/2022_0621-17_R1.jpg Yonsok YI; Virgin and child with a pear; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/D2868239708347930139605256101662/prv_wn.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://freight.cargo.site/t/original/i/L2868244227652654245855725608734/Murmur2of2_2021_1.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227689547734003144711966/old_Vessel_2021_1.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227726441222150563815198/Sun_Gun_2021_1.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868244227634207501782016057118/Murmur1of2_2021_2.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227228379132160405921566/Murmur1of2_2021_1.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2868244227671100989929435160350/Murmur2of2_2021_2.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/V2868244227744887966224273366814/Sun_Gun_2021_2.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/H2868244227707994478076854263582/old_Vessel_2021_2.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868248423401487299240659771166/pcs_3.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/L2868248423050999161840178290462/annie1.jpg Yonsok YI; A towering tree falls in the forest, just grazing their head; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/U2868248423327700322945821564702/annie3.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/D2868248423364593811093240667934/pcs_1.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/W2868248423346147067019531116318/annie4.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/C2868248423383040555166950219550/pcs_2.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/T2868248423309253578872112013086/annie2.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/Q2868258503311191728572077956894/nogood_23.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503292744984498368405278/nogood_22.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503089830799687563337502/nogood_11.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503255851496350949302046/nogood_20.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503200511264129820647198/nogood_17.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502923810103024177372958/nogood_2.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503052937311540144234270/nogood_9.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503108277543761272889118/nogood_12.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window with brass nails and translucent tape; courtesy of the artist https://freight.cargo.site/t/original/i/J2868258502979150335245306027806/nogood_5.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503237404752277239750430/nogood_19.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/O2868258503366531960793206611742/nogood_26.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503348085216719497060126/nogood_25.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Y2868258503329638472645787508510/nogood_24.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503163617775982401543966/nogood_15.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503145171031908691992350/nogood_14.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502942256847097886924574/nogood_3.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/C2868258503071384055613853785886/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503384978704866916163358/nogood_27.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502665555685992243650334/nogood_1.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502960703591171596476190/nogood_4.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/D2868258503403425448940625714974/nogood.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503016043823392725131038/nogood_7.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503126724287834982440734/nogood_13.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258502997597079319015579422/nogood_6.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503274298240424658853662/nogood_21.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/B2868258503182064520056111095582/nogood_16.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503034490567466434682654/nogood_8.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503218958008203530198814/nogood_18.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/D2868273852238192907857562427166/Cormac_McCarthy_THE_COUNSELOR_p12-13_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p12–13,_Picador,_2013 https://freight.cargo.site/t/original/i/A2868273852404213604520948391710/vv4.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/C2868273852311979884152400633630/Cormac_McCarthy_THE_COUNSELOR_p20-21_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p20–21,_Picador,_2013 https://freight.cargo.site/t/original/i/N2868273852293533140078691082014/Cormac_McCarthy_THE_COUNSELOR_p18-19_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p18–19,_Picador,_2013 https://freight.cargo.site/t/original/i/M2868273851961491746751919152926/asscher.jpg Yonsok YI; “No. It’s an Asscher. Look at the corners.”; 2019; Korea National University of Arts, Seoul, Korea; courtesy of the artist; photo: Jipil Jung https://freight.cargo.site/t/original/i/O2868273852367320116373529288478/vv2.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/I2868273852275086396004981530398/Cormac_McCarthy_THE_COUNSELOR_p16-17_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p16–17,_Picador,_2013 https://freight.cargo.site/t/original/i/V2868273852330426628226110185246/installation_view_Vera_Verto_2020_5.jpg Yonsok YI; “En este mundo nada es perfecto. As my father would say.”; 2019; oil on canvas; 145 × 258.9 cm; with “The culet seems big.”; 2019; oil on canvas; 30 × 30 cm; “The crown and pavilion don’t fit.”; 2019; oil on canvas; 54.2 × 34.2 cm; “The girdle comes out crooked.”; 2019; oil on canvas; 30 × 30 cm; installation view, Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/G2868273852256639651931271978782/Cormac_McCarthy_THE_COUNSELOR_p14-15_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p14–15,_Picador,_2013 https://freight.cargo.site/t/original/i/Y2868273852348873372299819736862/vv1.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://yonsokyi.com/intent 2026-04-08T09:02:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2743960654275289923391521021726/SDIM6627.JPG ⒞ Yonsok YI, 2021. https://yonsokyi.com/intent-1 2026-04-08T09:17:49+00:00 always 0.5 https://yonsokyi.com/lns 2026-04-08T09:02:11+00:00 always 0.5 https://yonsokyi.com/efl 2026-04-08T09:17:48+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2741070540125438509179947704094/3.jpg https://freight.cargo.site/t/original/i/F2741070540143885253253657255710/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/S2741814972022443208238222270238/efl17.jpg https://freight.cargo.site/t/original/i/E2745016615690101888969254625054/reciter.png Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615487187704158449557278/amb7.png https://freight.cargo.site/t/original/i/A2745016615413400727863611350814/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745016615505634448232159108894/amb8.png https://freight.cargo.site/t/original/i/C2745016615616314912674416418590/hanjoo4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png https://freight.cargo.site/t/original/i/R2745016615450294216011030454046/amb4.png https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/C2745016615542527936379578212126/amb10.png https://freight.cargo.site/t/original/i/H2745016615394953983789901799198/amb1.png https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/J2745016615524081192305868660510/amb9.png https://freight.cargo.site/t/original/i/O2745073891797433088999287414558/efla2_2023_22.jpg https://freight.cargo.site/t/original/i/O2745073891391604719377677279006/efl_2022.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891815879833072996966174/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial robe of rectangular construction; 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891428498207525096382238/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg https://freight.cargo.site/t/original/i/W2745073891778986344925577862942/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial tunic in the form of a cross; 2023; wool, cotton, linen, interfaced in silk organza; approx. 240 × 240 cm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Z2745086349160407226165136973598/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2748736470272900118325862588190/kevo_wip.mp4 C. H. Lee; costum for Hanjoo & Simo of Y2K92; courtesy of the artist https://freight.cargo.site/t/original/i/V2748736470291346862399572139806/kitty_2023.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/D2748736840646627630266239934238/dress_amb_2023_kitty1.jpg https://freight.cargo.site/t/original/i/H2748736840609734142118820831006/dress_amb_2023_jibin1.jpg https://freight.cargo.site/t/original/i/O2748736840665074374339949485854/dress_amb_2023_kitty2.jpg https://freight.cargo.site/t/original/i/W2748736989364278352512645062430/amb_rh4.mp4 https://freight.cargo.site/t/original/i/S2748736989382725096586354614046/amb_rh5.mp4 https://freight.cargo.site/t/original/i/U2748736989401171840660064165662/amb_rh6.mp4 https://freight.cargo.site/t/original/i/L2748736989327384864365225959198/amb_rh2-2.mp4 https://freight.cargo.site/t/original/i/N2748736989290491376217806855966/amb_rh1.mp4 https://freight.cargo.site/t/original/i/T2748736989308938120291516407582/amb_rh2-1.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/V2748736989345831608438935510814/amb_rh3.mp4 https://freight.cargo.site/t/original/i/J2748737322973644925549886037790/IMG_3226.jpg https://freight.cargo.site/t/original/i/R2748737322918304693328757382942/IMG_3172.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Z2748737323010538413697305141022/IMG_7096.jpg https://freight.cargo.site/t/original/i/F2748737322899857949255047831326/IMG_3167.jpg https://freight.cargo.site/t/original/i/J2748737322789177484812790521630/IMG_0630.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/E2748737322807624228886500073246/IMG_0631.jpg https://freight.cargo.site/t/original/i/C2748737323065878645918433795870/.jpg “고통은 의복”; The Handmaiden, dir. Park Chan-wook, 2016 https://freight.cargo.site/t/original/i/D2748737323047431901844724244254/IMG_8142.jpg https://freight.cargo.site/t/original/i/F2748737322936751437402466934558/IMG_3201.jpg https://freight.cargo.site/t/original/i/D2748737322862964461107628728094/IMG_2345.jpg https://freight.cargo.site/t/original/i/L2748737322955198181476176486174/IMG_3223.jpg https://freight.cargo.site/t/original/i/I2748737322881411205181338279710/IMG_2986.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips; courtesy of the artists https://freight.cargo.site/t/original/i/G2748737322844517717033919176478/IMG_0633.jpg https://freight.cargo.site/t/original/i/Z2748737322826070972960209624862/IMG_0632.jpg https://freight.cargo.site/t/original/i/N2748737323028985157771014692638/IMG_7100.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/H2748737322992091669623595589406/IMG_5506.jpg Yonsok YI; Finale, 2021; corrugated cardboard and toothpicks; courtesy of the artist https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2748845604475913885079813480222/SDIM6628.jpg https://freight.cargo.site/t/original/i/R2748845604494360629153523031838/SDIM6630.jpg https://freight.cargo.site/t/original/i/Z2748845604457467141006103928606/SDIM6627.jpg https://freight.cargo.site/t/original/i/P2748845604439020396932394376990/SDIM6619.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/U2748869651116532794713723100958/Screenshot-2023-07-14-at-15.45.22.jpg https://freight.cargo.site/t/original/i/X2748869651134979538787432652574/Screenshot-2023-07-14-at-15.45.25.jpg https://freight.cargo.site/t/original/i/A2748869651171873026934851755806/Screenshot-2023-07-14-at-15.45.28.jpg https://freight.cargo.site/t/original/i/A2748869651061192562492594446110/Screenshot-2023-07-14-at-15.45.10.jpg ⒞ Dymsensei, 2018. https://freight.cargo.site/t/original/i/I2748878523096541789396282367774/30.JPG ⒞ Yonsok YI, 2020. https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg ⒞ Yonsok YI, 2022. https://freight.cargo.site/t/original/i/X2748887050011756141267969105694/27.jpg https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/E2868115577606067233639385259806/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2868115577642960721786804363038/noma.jpg https://freight.cargo.site/t/original/i/X2868137703018290866423494074142/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868137703036737610497203625758/efla2_2023_3.jpg https://freight.cargo.site/t/original/i/N2868137703073631098644622728990/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Tantalus, 2022, 2023; text engraving on cowhide; each 225 × 143 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703239651795308008693534/efla2_2023_14.jpg https://freight.cargo.site/t/original/i/Y2868137703110524586792041832222/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703092077842718332280606/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Easel, 2022, 2023; text engraving on lambskin; each 230 × 162 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703055184354570913177374/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Sfumato, 2022, 2023; text engraving on cowhide; each 210 × 170 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703147418074939460935454/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703479459468266232864542/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703497906212339942416158/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 160 × 160 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703461012724192523312926/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703331885515676556451614/efla2_2023_19.jpg https://freight.cargo.site/t/original/i/L2868137703128971330865751383838/efla2_2023_8.jpg https://freight.cargo.site/t/original/i/I2868137703258098539381718245150/efla2_2023_15.jpg https://freight.cargo.site/t/original/i/U2868137703221205051234299141918/efla2_2023_13.jpg https://freight.cargo.site/t/original/i/S2868137703184311563086880038686/efla2_2023_11.jpg https://freight.cargo.site/t/original/i/E2868202689846198132972392800030/efl23.jpg https://freight.cargo.site/t/original/i/O2868202690086005805930616971038/piano2of3.jpg Yonsok YI; Piano (panel 2 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868202689864644877046102351646/efl24.jpg https://freight.cargo.site/t/original/i/X2868202689883091621119811903262/efl25.jpg https://freight.cargo.site/t/original/i/H2868202690104452550004326522654/piano3of3.jpg Yonsok YI; Piano (panel 3 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868202689495709995571911319326/efl4.jpg https://freight.cargo.site/t/original/i/T2868202689993772085562069212958/eflns1.jpg https://freight.cargo.site/t/original/i/N2868202689753964412603845041950/efl18.jpg https://freight.cargo.site/t/original/i/P2868202689514156739645620870942/efl5.jpg https://freight.cargo.site/t/original/i/L2868202690067559061856907419422/piano1of3.jpg Yonsok YI; Piano (panel 1 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868202689532603483719330422558/efl6.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868202689477263251498201767710/efl3.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/O2868202689790857900751264145182/efl20.jpg https://freight.cargo.site/t/original/i/H2868202689551050227793039974174/efl7.jpg https://freight.cargo.site/t/original/i/J2868202689440369763350782664478/efl1.jpg https://freight.cargo.site/t/original/i/M2868202689569496971866749525790/efl8.jpg https://freight.cargo.site/t/original/i/I2868202689606390460014168629022/efl10.jpg https://freight.cargo.site/t/original/i/H2868202689680177436309006835486/efl14.jpg https://freight.cargo.site/t/original/i/S2868202689587943715940459077406/efl9.jpg https://freight.cargo.site/t/original/i/D2868202689919985109267231006494/efl27.jpg https://freight.cargo.site/t/original/i/Y2868202690012218829635778764574/eflns2.jpg https://freight.cargo.site/t/original/i/B2868202689772411156677554593566/efl19.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689458816507424492216094/efl2.jpg https://freight.cargo.site/t/original/i/P2868202689255902322613687148318/easel-copy.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868202689809304644824973696798/efl21.jpg https://freight.cargo.site/t/original/i/R2868202689624837204087878180638/efl11.jpg https://freight.cargo.site/t/original/i/O2868202689956878597414650109726/efl29.jpg https://freight.cargo.site/t/original/i/D2868202689717070924456425938718/efl16.jpg https://freight.cargo.site/t/original/i/H2868202689643283948161587732254/efl12.jpg https://freight.cargo.site/t/original/i/E2868202689661730692235297283870/efl13.jpg https://freight.cargo.site/t/original/i/M2868202689938431853340940558110/efl28.jpg https://freight.cargo.site/t/original/i/M2868202689901538365193521454878/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/C2868258503071384055613853785886/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2877688568551294993660307562270/.jpg 경향신문, Jan 6, 1955, article https://freight.cargo.site/t/original/i/L2877688637025608995270163160862/16763991834561.jpg https://freight.cargo.site/t/original/i/D2877691255005974680203438055198/images.jpg https://freight.cargo.site/t/original/i/X2877693819638356503968689676062/015.jpg ⒞ National Palace Museum of Korea https://freight.cargo.site/t/original/i/Q2877693919951750776801231363870/.jpg presumed portrait of King 순조 at age 19. Collection of the National Palace Museum of Korea. While in storage in Busan during the Korean War, most of the face—except for the area below the nose—was lost in a fire in 1954. https://freight.cargo.site/t/original/i/W2877696833983912100699100143390/kmt.jpg https://freight.cargo.site/t/original/i/Q2877701204238944091376392593182/3j7I62rlB3U3mNp5QgyUM143OIU4fDhlFEC3r3LuI28MF6c2vtnebR2kRQ9kfXN9cv69xRM01acLjdfY36rrPbAw9hKZT7lB-7mEUNVeWxxzKLJmm0w2S8m41t_GJwD_-mWYjCn7lCnZLfTEB-9Q8w.jpg https://freight.cargo.site/t/original/i/R2877715870175245941565728481054/image_readmed_2020_1029596_16021424224383560.jpg 순조 어진 <div style="text-align: right">⒞ National Palace Museum of Korea</div> https://freight.cargo.site/t/original/i/O2877715909577491283009330732830/image_readtop_2020_1029596_16021424224383558.jpg 순조 어진 (익선관본) https://freight.cargo.site/t/original/i/T2877716191203933056333055254302/.jpg 철종 어진 ⒞ National Palace Museum of Korea https://freight.cargo.site/t/original/i/Y2877716241397523680896745201438/tail.jpg Yonsok YI; Tail; 2022; oil on wood; 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2877753141932327336157025918750/sunset5.jpg https://freight.cargo.site/t/original/i/B2877753221382454061624064728862/sunset.jpg https://freight.cargo.site/t/original/i/S2877782880408063909241634414366/goodnight.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/Q2877784989498100832749508878110/222.jpg https://freight.cargo.site/t/original/i/I2877785173541266456149705350942/444.jpg USS Monocacy https://freight.cargo.site/t/original/i/M2877785408608126187430521593630/IMG_5919.jpg US Naval History and Heritage Command photo # NH66305 https://freight.cargo.site/t/original/i/B2877811695199984479467864842014/NH-63680.jpg US Naval History and Heritage Command photo # NH63680 https://freight.cargo.site/t/original/i/A2877811916800721036940708405022/1871sujagi.jpg ⒞ Felice Beato, 1871. https://freight.cargo.site/t/original/i/I2877821963008224043604775788318/all-the-money_vermeer-copy.jpg https://freight.cargo.site/t/original/i/L2877822077045995907277223878430/all-the-money_durer-copy.jpg All the Money in the World, dir. Ridely Scott, 2017 https://freight.cargo.site/t/original/i/F2877827557592106950458718543646/Vermeer-centre-delft-exterior-header.jpg ⒞ Vermeer Centrum Delft https://freight.cargo.site/t/original/i/F2877828892767443005556064509726/PA-19.jpg https://freight.cargo.site/t/original/i/V2877829104406937763225750200094/PA-17.jpg ⒞ Goppion S.p.A. 2019 https://freight.cargo.site/t/original/i/Z2877911246134984513372655705886/reading.jpg Yonsok YI; Reading; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/M2877946931306054872279128203038/555.jpg USS Palos https://freight.cargo.site/t/original/i/X2877950433475757498258631155486/NH63654.jpg USS Alaska https://freight.cargo.site/t/original/i/B2877956783066428597970812002078/May-July_1871._First_Korean_junk_bringing_dispatches_onboard_USS_Colorado_immedi.jpg https://yonsokyi.com/a-late-night-special 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://yonsokyi.com/painting 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://yonsokyi.com/room 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg https://freight.cargo.site/t/original/i/S2748735448784447036659441852190/all-the-money_vermeer.jpg All the Money in the World, dir. Ridely Scott, 2017; “ransom, Johannes Vermeer” https://freight.cargo.site/t/original/i/J2748735448766000292585732300574/all-the-money_durer.jpg All the Money in the World, dir. Ridely Scott, 2017; “ransom, Albrecht Dürer” https://freight.cargo.site/t/original/i/A2748736470309793606473281691422/kitty_amb_2023_room.jpg https://freight.cargo.site/t/original/i/S2748736470272900118325862588190/kevo_wip.mp4 https://freight.cargo.site/t/original/i/V2748736470291346862399572139806/kitty_2023.jpg https://freight.cargo.site/t/original/i/D2748736840646627630266239934238/dress_amb_2023_kitty1.jpg https://freight.cargo.site/t/original/i/H2748736840609734142118820831006/dress_amb_2023_jibin1.jpg https://freight.cargo.site/t/original/i/O2748736840665074374339949485854/dress_amb_2023_kitty2.jpg https://freight.cargo.site/t/original/i/W2748736989364278352512645062430/amb_rh4.mp4 https://freight.cargo.site/t/original/i/S2748736989382725096586354614046/amb_rh5.mp4 https://freight.cargo.site/t/original/i/U2748736989401171840660064165662/amb_rh6.mp4 https://freight.cargo.site/t/original/i/L2748736989327384864365225959198/amb_rh2-2.mp4 https://freight.cargo.site/t/original/i/N2748736989290491376217806855966/amb_rh1.mp4 https://freight.cargo.site/t/original/i/T2748736989308938120291516407582/amb_rh2-1.mp4 https://freight.cargo.site/t/original/i/V2748736989345831608438935510814/amb_rh3.mp4 https://freight.cargo.site/t/original/i/J2748737322973644925549886037790/IMG_3226.jpg https://freight.cargo.site/t/original/i/R2748737322918304693328757382942/IMG_3172.jpg 보광동 studio, Seoul ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Z2748737323010538413697305141022/IMG_7096.jpg https://freight.cargo.site/t/original/i/F2748737322899857949255047831326/IMG_3167.jpg https://freight.cargo.site/t/original/i/J2748737322789177484812790521630/IMG_0630.jpg https://freight.cargo.site/t/original/i/E2748737322807624228886500073246/IMG_0631.jpg https://freight.cargo.site/t/original/i/C2748737323065878645918433795870/.jpg “고통은 의복” The Handmaiden, dir. Park Chan-wook, 2016 https://freight.cargo.site/t/original/i/D2748737323047431901844724244254/IMG_8142.jpg https://freight.cargo.site/t/original/i/F2748737322936751437402466934558/IMG_3201.jpg https://freight.cargo.site/t/original/i/D2748737322862964461107628728094/IMG_2345.jpg https://freight.cargo.site/t/original/i/L2748737322955198181476176486174/IMG_3223.jpg https://freight.cargo.site/t/original/i/I2748737322881411205181338279710/IMG_2986.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee; made of multi-layered reflective glass and angled walnut; approximating the size and weight of a human head; produced for Eyes Far Lips, 2022; courtesy of the artists https://freight.cargo.site/t/original/i/G2748737322844517717033919176478/IMG_0633.jpg https://freight.cargo.site/t/original/i/Z2748737322826070972960209624862/IMG_0632.jpg https://freight.cargo.site/t/original/i/N2748737323028985157771014692638/IMG_7100.jpg https://freight.cargo.site/t/original/i/H2748737322992091669623595589406/IMG_5506.jpg Yonsok YI; Finale, 2021; corrugated cardboard and toothpicks; courtesy of the artist https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Q2748776837116935920274277916446/goodnight.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/W2748776837153829408421697019678/IMG_3547.jpg ⒞ Yonsok YI, 2024. https://freight.cargo.site/t/original/i/Y2748845604475913885079813480222/SDIM6628.jpg 보광동 studio, Seoul ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/R2748845604494360629153523031838/SDIM6630.jpg https://freight.cargo.site/t/original/i/Z2748845604457467141006103928606/SDIM6627.jpg https://freight.cargo.site/t/original/i/P2748845604439020396932394376990/SDIM6619.jpg https://freight.cargo.site/t/original/i/U2748869651116532794713723100958/Screenshot-2023-07-14-at-15.45.22.jpg https://freight.cargo.site/t/original/i/X2748869651134979538787432652574/Screenshot-2023-07-14-at-15.45.25.jpg https://freight.cargo.site/t/original/i/A2748869651171873026934851755806/Screenshot-2023-07-14-at-15.45.28.jpg https://freight.cargo.site/t/original/i/A2748869651061192562492594446110/Screenshot-2023-07-14-at-15.45.10.jpg https://freight.cargo.site/t/original/i/I2748878523096541789396282367774/30.JPG https://freight.cargo.site/t/original/i/X2748887050067096373489097760542/______.jpg ⒞ Felice Beato, 1871. https://freight.cargo.site/t/original/i/K2748887050048649629415388208926/IMG_5919.jpg https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg https://freight.cargo.site/t/original/i/H2748887049993309397194259554078/27-1.jpg https://freight.cargo.site/t/original/i/X2748887050011756141267969105694/27.jpg https://freight.cargo.site/t/original/i/N2748931144684514822884832304926/1871sujagi.jpg https://yonsokyi.com/13 2026-04-08T09:17:50+00:00 always 0.5 https://yonsokyi.com/info-pack 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2740759057185660028777106497310/yee.png ⒞ Muyeong Kim, 2021. https://yonsokyi.com/index_under-construction 2026-04-08T09:17:50+00:00 always 0.5 https://yonsokyi.com/room_under-construction 2026-04-08T09:17:50+00:00 always 0.5 https://yonsokyi.com/published-work 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2743964988061108880345029926686/B.jpg https://yonsokyi.com/space 2026-04-08T09:17:49+00:00 always 0.5 https://yonsokyi.com/no-more-play 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2832571674044561292274276491038/0228_shower_0053-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2832571674081454780421695594270/0228_shower_0071-copy.jpg Yonsok YI; Little Effie’s Head; 2026; colored pencil on canvas and oil on black canvas; 30 × 40 cm each (2 canvases); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2832571674026114548200566939422/0228_shower_0030-copy.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee (Feb. 28) https://freight.cargo.site/t/original/i/H2832571674007667804126857387806/0228_shower_0006-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2832575506706130742834106195742/0228_shower_0059-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2835815931830852554619849793310/0228_shower_0030-copy-2.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee (Feb. 28) https://yonsokyi.com/scenography-for-the-gardener 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2740232092755501926831712100126/DSC05382.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/Z2740232092773948670905421651742/DSC05394.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/U2740232092792395414979131203358/DSC06349.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/O2740232092884629135347678961438/L1002002.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/H2740232092903075879421388513054/L1002004.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/C2740232092810842159052840754974/L1001927.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/D2740232092866182391273969409822/L1001999.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/O2740238261678761568632544419614/L1001959.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://yonsokyi.com/rooms-of-convergence,-2025 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2740350542472039196540681314078/R2516_1.jpg Yonsok YI; R2516, 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm (7‑unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740350542564272916909229072158/_2025.jpg Yonsok YI; 섬전암 Fulgurite, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 14 × 14 × 2cm; courtesy of the artist https://freight.cargo.site/t/original/i/I2740350542435145708393262210846/ita.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740350542453592452466971762462/kagami.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740350542416698964319552659230/img20211127_18115591.jpg Yonsok YI; Bonds with Blots, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/L2740350542582719660982938623774/_2025.jpg Yonsok YI; 함 Korean Wedding Chest, 2023; oil, acrylic polymer, and phosphorescent pigment inlaid on hand-carved and finely sanded wooden panel, 20 × 20 × 4.2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/R2740350542490485940614390865694/R2517_1.jpg Yonsok YI; R2517, 2023/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 14 × 14 × 2.7 cm (5‑unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/U2740350542527379428761809968926/Wedding_Chest_2023.jpg Yonsok YI; 함 Korean Wedding Chest, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/J2740350542379805476172133555998/Bonds_with_Blots_2021.jpg Yonsok YI; Gilded Script (Bonds with Blots), 2021; oil on paper mounted on wooden panel with brass nails, 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2740350542545826172835519520542/_2025.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2740350542508932684688100417310/Tongue_2022.jpg Yonsok YI; Reciter’s Tongue, 2022; oil and acrylic polymer inlaid on an engraved and charred wooden panel, 14 × 14 × 2.7 cm; installation view from Eyes Far Lips Act.2; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2740356156222089195978848198430/250719_39_1.jpg https://freight.cargo.site/t/original/i/U2740356156240535940052557750046/250719_59_1.jpg ⒞ Shower, 2025. https://freight.cargo.site/t/original/i/N2740356156203642451905138646814/250719_13_1.jpg ⒞ Whistle, 2025. https://freight.cargo.site/t/original/i/X2740356156258982684126267301662/250719_61_1.jpg https://yonsokyi.com/liste,-2025 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2740809771749230722172210372382/Kagami-ita_2025.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2740809772136612347720110956318/Tobias_and_the_Angel_2of2.jpg Yonsok YI; Tobias and the Angel (2/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740809771915251418835596336926/R2506.jpg Yonsok YI; R2506 (이 세상에 동양은 없다.), 2021/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas mounted on wooden panel with nails, 28 × 28 × 3 cm; (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809772118165603646401404702/Tobias_and_the_Angel_1of2.jpg Yonsok YI; Tobias and the Angel (1/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740809771730783978098500820766/0603_yonsok_0026-2.jpg Yonsok YI, Tobias and the Angel (overpainted on Sfumato, 2021-2025), 2025, oil on black canvas, 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740809771933698162909305888542/R2507.jpg Yonsok YI; R2507 (중국의 새들), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740809771712337234024791269150/0603_yonsok_0014-2.jpg Yonsok YI; Tobias and the Angel (overpainted on Hotel, 2025), 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2740809772062825371425272749854/R2514.jpg Yonsok YI; R2514, 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 29.8 × 2.5 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740809771804570954393339027230/R2501.jpg Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm (7-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740809772025931883277853646622/R2512.jpg Yonsok YI; R2512 (나르는 도둑들), 2023/2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2740809771841464442540758130462/R2503.jpg Yonsok YI; R2503 (나르는 도둑들), 2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740809772044378627351563198238/R2513.jpg Yonsok YI; R2513 (나르는 도둑들), 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm, 19.7 × 19.7 × 1.9 cm, 14 × 14 × 2.7 cm, 14 × 14 × 1.9 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740809772099718859572691853086/The_Blindness_of_Tobit.jpg Yonsok YI; The Blindness of Tobit, 2025; oil on paper panels, 27.5 × 22 × 2.7 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2740809771823017698467048578846/R2502.jpg Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다.), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (10-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771970591651056724991774/R2509.jpg Yonsok YI; R2509, 2022/2024; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7 cm, 15 × 15 × 4.2 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771989038395130434543390/R2510.jpg Yonsok YI; R2510 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771786124210319629475614/liste_oh2.jpg installation view; In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1 Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/T2740809771878357930688177233694/R2505.jpg Yonsok YI; R2505 (꿈은 글에서 태어나지 않았고,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 28 × 28 × 4.2 cm, 14 × 14 × 4.2 cm (4-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740809771952144906983015440158/R2508.jpg Yonsok YI; R2508 (거짓말), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm, 14 × 14 × 2.7 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2740809772007485139204144095006/R2511.jpg Yonsok YI; R2511 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740809772081272115498982301470/R2515.jpg Yonsok YI; R2515 (Usurer), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 18 × 25.8 × 2.6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2740809771896804674761886785310/R2506_detail.jpg Yonsok YI; R2506 (이 세상에 동양은 없다.), 2025; panel 1 fo 2; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 42.3 × 42.3 × 4.2 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/I2740809771859911186614467682078/R2504.jpg Yonsok YI; R2504 (나르는 도둑들), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (6-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740809771767677466245919923998/liste_oh1.jpg installation view; In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1 Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh https://yonsokyi.com/everyone-else-is-asleep,-2025 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2740848142175942402830692507422/12_2.jpg Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848142212835890978111610654/13_2.jpg Yonsok YI; Tantalus, 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2740848142083708682462144749342/8.jpg Yonsok YI; Picture Plane (The Richter candle, sq.), 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2740848141899241241725049233182/4.jpg Yonsok YI; Bathroom, 2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2740848142434196819862626230046/dog_ns_yonsokyi.jpg Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm, detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2740848141936134729872468336414/5_2.jpg Yonsok YI; Cream & Lotion, 2025; panel 2 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142341963099494078471966/18_2.jpg Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848141917687985798758784798/5_1.jpg Yonsok YI; Cream & Lotion, 2025; panel 1 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142360409843567788023582/19_1.jpg Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2740848142065261938388435197726/7.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2740848142323516355420368920350/18_1.jpg Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740848142120602170609563852574/10.jpg Yonsok YI; Easel, 2021; oil, copper powder, corrugated polypropylene sheet, and acrylic polymer, framed, 28 × 23 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2740848141843901009503920578334/1.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2740848142268176123199240265502/15.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2740848142028368450241016094494/6_4.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740848142194389146904402059038/13_1.jpg Yonsok YI; G, 2025; oil on black canvas, 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740848142157495658756982955806/12_1.jpg Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2740848142046815194314725646110/6.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740848142009921706167306542878/6_3.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2740848142415750075788916678430/21.jpg Yonsok YI; Clock, 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2740848142102155426535854300958/9.jpg Yonsok YI; Picture Plane (The Richter candle, tri.), 2025; oil on black canvas, 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2740848141954581473946177888030/5.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740848142139048914683273404190/11.jpg Yonsok YI; Sfumato, 2025 (re: 2021); oil on black canvas, 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142249729379125530713886/14.jpg Yonsok YI; Summery of a November Morning, 2025; oil on black canvas, each 41.5 × 24.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142231282635051821162270/13.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740848142286622867272949817118/16_1.jpg Yonsok YI; Mirror, 2025; oil on black canvas, 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740848142378856587641497575198/19_2.jpg Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740848141862347753577630129950/2.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740848142397303331715207126814/20.jpg Yonsok YI; Hotel, 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848141880794497651339681566/3.jpg Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2740984739319684042080093200158/a_featurette_2022_sfumato.jpg Muyeong Kim; exhibition text; a Featurette: sfumato, 2022; courtesy of the artist https://freight.cargo.site/t/original/i/X2740984739338130786153802751774/a_featurette_2022_tantalus.jpg Muyeong Kim; exhibition text; a Featurette: tantalus, 2022; courtesy of the artist https://freight.cargo.site/t/original/i/J2740984739282790553932674096926/a_featurette_2022_easel.jpg Muyeong Kim; exhibition text; a Featurette: easel, 2022; courtesy of the artist https://yonsokyi.com/터,-2025 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2740888619552868694446741118750/2.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/S2740888619571315438520450670366/3.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/O2740888619534421950373031567134/1.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7cm; 15 × 15 × 4.2cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2748541944542042647865878896414/3.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://yonsokyi.com/여러-그림의-나열,-2024 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2740900993093837760676388134686/snumoa2.jpg Yonsok YI; composition for Seoul National University Museum of Art, 2024; from the Relic series (2021-2023), oil and acrylic polymer inlaid on engraved, finely sanded wooden panels, wrapped with PVC, variable dimensions; courtesy of the artist; photo: Ku and Park https://freight.cargo.site/t/original/i/S2740900993075391016602678583070/snumoa1.jpg 이용재, /, 이연석과 협업으로 구성, 여러 그림의 나열, 2024, 서울대학교미술관, 작가 제공, 사진: 구태승, 박종현 Yongjae Lee & Yonsok YI; /, 2024; an arrangement of multiple paintings; Seoul National University Museum of Art; courtesy of the artists; photo: Ku and Park https://yonsokyi.com/with-shower,-2024 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2740911144189527570452966006558/1.jpg Simon Shim-Sutcliffe & Yonsok YI; installation view; courtesy of the artists; photo: Shower https://freight.cargo.site/t/original/i/K2748542185032245136817303314206/1.jpg Simon Shim-Sutcliffe & Yonsok YI; installation view; courtesy of the artists; photo: Shower https://yonsokyi.com/2^4,-2024 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2740917603870367302063750897438/0509_0127-15.jpg Yonsok YI; Disloyalty Production Intro (5/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740917604036387998727136861982/sook2_cartier.jpg Yonsok YI; Hyangsook holding a painting (Cartier), 2024; photograph, digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/B2740917603833473813916331794206/0509_0127-13.jpg Yonsok YI; Disloyalty Production Intro (3/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/I2740917603704346605400364932894/24f.jpg ⒞ Yonsok YI, 2024. https://freight.cargo.site/t/original/i/O2740917603851920557990041345822/0509_0127-14.jpg Yonsok YI; Disloyalty Production Intro (4/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2740917604054834742800846413598/sook2.jpg Yonsok YI; Hyangsook holding a painting (Cartier), 2024; photograph, digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/A2740917604017941254653427310366/N0026090.jpg Yonsok YI; Disloyalty Production Intro (5/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/L2740917603981047766506008207134/20240608-000031.jpg Yonsok YI; Disloyalty Production Intro (9/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/B2740917603815027069842622242590/0509_0127-12.jpg Yonsok YI; Disloyalty Production Intro (2/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740917603888814046137460449054/0509_0127-16.jpg Yonsok YI; Disloyalty Production Intro (6/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740917603741240093547784036126/0509_0055.jpg boma pak & Yonsok YI; installation view; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740917603962601022432298655518/0509_0309.jpg Yonsok YI; Disloyalty Production Intro (3/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740917603925707534284879552286/0509_0127-18.jpg Yonsok YI; Disloyalty Production Intro (8/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2740917603907260790211170000670/0509_0127-17.jpg Yonsok YI; Disloyalty Production Intro (7/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740917603796580325768912690974/0509_0127-1.jpg Yonsok YI; Disloyalty Production Intro (1/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740917603944154278358589103902/0509_0127-19.jpg Yonsok YI; Disloyalty Production Intro (9/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2740917603999494510579717758750/N0026029.jpg boma pak; fldjf-Pre-Cartier-Crystals (leaning on Yi, Lee, Park), 2024; oil, oil pastel, marker, glitter powder, rhinestone, glue on black canvas, nail, digital image, QR code, digital print, yarn, adhesive tape, variable dimensions; courtesy of the artist; photo: Hong Sohyun https://yonsokyi.com/goodnight,-2023 2026-04-08T09:17:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2741005552744128920419762429726/1.jpg ⒞ Muyeong Kim, 2023. https://freight.cargo.site/t/original/i/C2741005552799469152640891084574/4.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/C2741005552781022408567181532958/3.jpg https://freight.cargo.site/t/original/i/R2741005552762575664493471981342/2.jpg ⒞ Shower, 2023. https://yonsokyi.com/eyes-far-lips-act-2-scene-2,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2741070540162331997327366807326/5.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/I2741070540125438509179947704094/3.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/H2741070540088545021032528600862/1.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://freight.cargo.site/t/original/i/R2741070540106991765106238152478/2.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/F2741070540143885253253657255710/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg <a class="" href="ambassadors,-2023" rel="history">Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg <a href="eyes-far-lips-act-2,-2023" rel="history">Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/K2748504409254775416259927072542/efla2s2-copy.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://yonsokyi.com/pack,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/K2741087117365787324563345628958/pack.jpg Yonsok YI; 섬전암 Fulgurite, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 14 × 14 × 2 cm; displayed on a wooden block; courtesy of the artist https://yonsokyi.com/ambassadors,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2745016615690101888969254625054/reciter.png Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2745016615671655144895545073438/noma.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615487187704158449557278/amb7.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2745016615468740960084740005662/amb5.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745016615413400727863611350814/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745016615505634448232159108894/amb8.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745016615616314912674416418590/hanjoo4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/R2745016615450294216011030454046/amb4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/R2745016615560974680453287763742/hanjoo.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745016615542527936379578212126/amb10.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2745016615394953983789901799198/amb1.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/X2745016615634761656748125970206/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2745016615524081192305868660510/amb9.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745016615653208400821835521822/jibin.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/P2745073891926560297515254275870/efla2s2_2023.jpg <a href="eyes-far-lips-act-2-scene-2,-2023" rel="history">Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; installation view, Shower, Seoul, Korea; courtesy of the artist; photo: 황아림</a> https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg <a href="eyes-far-lips-act-2,-2023" rel="history">Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/R2748504409199435184038798417694/amb-copy.jpg Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://yonsokyi.com/eyes-far-lips-act-2,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2745073891539178671967353691934/efla2_2023_8.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891797433088999287414558/efla2_2023_22.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891631412392335901450014/efla2_2023_13.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891391604719377677279006/efl_2022.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 25 × 300 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745073891908113553441544724254/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; Anamorphosis, 2023; oil on linen fixed with brass nails, approx. 160 × 160 cm https://freight.cargo.site/t/original/i/P2745073891926560297515254275870/efla2s2_2023.jpg <a href="eyes-far-lips-act-2-scene-2,-2023" rel="history">Yonsok YI; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; installation view, Shower, Seoul, Korea; courtesy of the artist; photo: 황아림</a> https://freight.cargo.site/t/original/i/B2745073891871220065294125621022/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2745073891668305880483320553246/efla2_2023_15.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745073891705199368630739656478/efla2_2023_17.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; Anamorphosis, 2023; oil on linen fixed with brass nails, approx. 150 × 140 cm https://freight.cargo.site/t/original/i/O2745073891815879833072996966174/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin C. H. Lee; Ceremonial robe of rectangular construction, 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin https://freight.cargo.site/t/original/i/J2745073891889666809367835172638/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891428498207525096382238/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891520731927893644140318/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891742092856778158759710/efla2_2023_19.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2745073891576072160114772795166/efla2_2023_10.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891686752624557030104862/efla2_2023_16.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891612965648262191898398/efla2_2023_12.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; The Ambassadors, 2023; oil on linen with oblique frame, each 25 × 25 cm https://freight.cargo.site/t/original/i/M2745073891483838439746225037086/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Tantalus, 2022/2023; text engraving on cowhide, each 225 × 143 mm https://freight.cargo.site/t/original/i/P2745073891373157975303967727390/ambassadors.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2745073891465391695672515485470/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Sfumato, 2022/2023; text engraving on cowhide, each 210 × 170 mm https://freight.cargo.site/t/original/i/G2745073891945007041588963827486/kagami-ita-amb.jpg <a href="ambassadors,-2023" rel="history">Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/Y2745073891852773321220416069406/efla2_2023_25.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2745073891760539600851868311326/efla2_2023_20.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745073891446944951598805933854/efla2_2023_3.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2745073891723646112704449208094/efla2_2023_18.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2745073891649859136409611001630/efla2_2023_14.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2745073891502285183819934588702/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Easel, 2022/2023; text engraving on cowhide; each 230 × 162 mm https://freight.cargo.site/t/original/i/W2745073891778986344925577862942/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin C. H. Lee; Ceremonial tunic in the form of a cross, 2023; wool, cotton, linen, interfaced in silk organza, approx. 240 × 240 cm https://freight.cargo.site/t/original/i/R2745073891594518904188482346782/efla2_2023_11.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2745073891834326577146706517790/efla2_2023_24.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2745086349160407226165136973598/piano_2022ad.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 25 × 300 × 4 cm, triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2748504409236328672186217520926/efla2-copy.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://yonsokyi.com/with-shower,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2741101609625993720777253052190/gwansoo.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/M2748549486474910439942347546398/gwansoo.jpg ⒞ Yonsok YI, 2023. https://yonsokyi.com/framer,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2741109943864966222752673160990/yon_ROC9334_1.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/Z2741109943828072734605254057758/yon_ROC9319_3.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/H2741109943809625990531544506142/yon_ROC9187_4.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/M2741109943846519478678963609374/yon_ROC9328_2.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://yonsokyi.com/서쪽으로-넘어가는-일,-2023 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/D2748306517306719143059835838238/0105_0145-1.jpg Yonsok YI; Opened Colse, 2022; oil on black canvas, 33 × 53 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748306517417399607502093147934/0105_0212.jpg Yonsok YI; Century, 2022; oil on canvas, 20 × 20 × 6 cm, 20 × 20 × 6 cm, 20 × 40 × 6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2748306517011571237880483012382/0105_0061-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2748306517454293095649512251166/Century.jpg Yonsok YI; Century, 2022; oil on canvas, 20 × 20 × 6 cm, 20 × 20 × 6 cm, 20 × 40 × 6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2748306517380506119354674044702/0105_0174-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; detail; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2748306517122251702322740322078/0105_0089-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 3 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2748306517472739839723221802782/.jpg Yonsok YI; 함 函, 2021/2022; oil on black canvas, oil on paper, oil on hand-carved wood, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517066911470101611667230/0105_0080.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748306517288272398986126286622/0105_0135-1.jpg Yonsok YI; “Only part of the left ear and eye survived.”, 2022; oil on black canvas, 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2748306517085358214175321218846/0105_0086.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748306517159145190470159425310/0105_0092-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 2 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2748306517251378910838707183390/0105_0125-1.jpg Yonsok YI; Closed Open, 2022; oil on black canvas, 101 × 81 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2748306516993124493806773460766/0105_0055.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517196038678617578528542/0105_0096-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 1 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2748306517232932166764997631774/0105_0121.jpg Yonsok YI; you will never learn “Only part of the left ear and eye survived.”, 2022; oil on black canvas, 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748306517214485422691288080158/0105_0107-1.jpg Yonsok YI; Rose, 2022; oil and acrylic polymer on linoleum blocks; oil and soot on hand-carved wooden panels; dimensions variable (multi-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2748306517048464726027902115614/0105_0072.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2748306517362059375280964493086/0105_0170.jpg Yongjae Lee; 연석_5, 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517435846351575802699550/0105_0216.jpg Yonsok YI; 섬전암 Fulgurite “벼락이 땅에 떨어질 때, 땅속의 모래 성분이 녹았다 다시 굳어지며 나뭇가지 모양의 줄기가 생기다.”, 2022; oil on hand-carved wood panel, 13 × 13 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2748326643184118906097097236254/tail.jpg Yonsok YI; Tail, 2022; oil on hand-carved wood, 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2748347895106117160586517929758/bsv10.jpg Yonsok YI; Tail, 2022; oil on hand-carved wood, 4 × 8 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748352625257126029337162407710/0105_0176.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee; made of multi-layered reflective glass and angled walnut; approximating the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul, 2022; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2748352625294019517484581510942/-37.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748363494927284486395613929246/0105_0179.jpg Yongjae Lee; 연석_6, 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2749024828909263374572374974238/0105_0061_1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 117 × 91 × 3 cm, 146 × 73 × 3 cm, 91 × 73 × 3 cm (triptych); courtesy of the artist; photo: Joseph Lee https://yonsokyi.com/눈-먼-입-eyes-far-lips,-2022 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2741814972059336696385641373470/efl19.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2741814971948656231943384063774/efl13.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2741814971911762743795964960542/efl11.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/G2741814972336037857491284647710/piano1of3.jpg Yonsok YI; Piano, 2022; panel 1 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2741814971727295303058869444382/efl1.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/S2741814972188463904901608234782/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/B2741814971708848558985159892766/easel-copy.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim; shown text: Muyeong Kim; a Featurette: Easel, 2022; a fictional text addressing Yonsok Yi’s painting, structured into three chapters (Sfumato, Tantalus, and Easel) https://freight.cargo.site/t/original/i/B2741814972040889952311931821854/efl18.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814971745742047132578995998/efl2.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/M2741814971764188791206288547614/efl3.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2741814972077783440459350925086/efl20.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/F2741814972280697625270155992862/eflns1.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2741814972022443208238222270238/efl17.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2741814972354484601564994199326/piano2of3.jpg Yonsok YI; Piano, 2022; panel 2 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814972133123672680479579934/efl23.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Q2741814972206910648975317786398/efl27.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/X2741814971893315999722255408926/efl10.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/B2741814971874869255648545857310/efl9.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Q2741814972225357393049027338014/efl28.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814971967102976017093615390/efl14.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2741814971856422511574836305694/efl8.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/E2741814971782635535279998099230/efl4.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/A2741814972299144369343865544478/eflns2.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2741814972151570416754189131550/efl24.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/M2741814972170017160827898683166/efl25.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/K2741814972114676928606770028318/efl22.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2741814972243804137122736889630/efl29.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2741814971837975767501126754078/efl7.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/K2741814971801082279353707650846/efl5.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/B2741814972317591113417575096094/piano_2022ad.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2741814971819529023427417202462/efl6.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2741814972096230184533060476702/efl21.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim; shown work: Yonsok YI & Gwansoo Shin; Tensegrity, 2022; sculptural and structural concept established in the 1960s, formal articulation: Buckminster Fuller, early sculptural experiments: Kenneth Snelson; Tension and compression are separated yet interdependent, forming a system that produces overall structural stability. Compressive members do not touch one another, while tensile members (wires) maintain the structure in a state of tension. https://freight.cargo.site/t/original/i/V2741814972372931345638703750942/piano3of3.jpg Yonsok YI; Piano, 2022; panel 3 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2741814971930209487869674512158/efl12.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/P2742064171449318192005825421086/IMG_2987.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee, made of multi-layered reflective glass and angled walnut, approximating the size and weight of a human head; produced for 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artists https://freight.cargo.site/t/original/i/K2748466016655077359002563895070/img20221118_13181802.jpg 이토명; 유리 이후, 2022; a poem for Eyes Far Lips 눈 먼 입, 2022; courtesy of the artist https://yonsokyi.com/ancestors,-2022 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2743499010263958916958556774174/2022_0621-17_R1.jpg Yonsok YI; Virgin and child with a pear, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/O2743499010245512172884847222558/2022_0621-16_R1.jpg Yonsok YI; Mother of Pearl, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/Z2743499010300852405105975877406/aga_2.jpg Yonsok YI; installation view of Are we being Good, Ancestors?, 2022; Mirrored Sphere, Seoul, Korea; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/N2743499010282405661032266325790/2022_0621-18_R1.jpg Yonsok YI; An Old Woman, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://yonsokyi.com/with-white-noise,-2022 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2741748738526677952250406231838/preview_2022.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://freight.cargo.site/t/original/i/K2748887050048649629415388208926/IMG_5919.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://yonsokyi.com/house-on-glabella,-2021 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2743383227780594008987365269278/Murmur1of2_2021_2.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/C2743383227835934241208493924126/oldVessel_2021_1.jpg Yonsok YI; (old)Vessel, 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2743383227872827729355913027358/Sun_Gun_2021_1.jpg Yonsok YI; Sun Gun, 2021; oil and acrylic polymer inlaid on hand-carved wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2743383227799040753061074820894/Murmur2of2_2021_1.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/N2743383227891274473429622578974/Sun_Gun_2021_2.jpg Yonsok YI; Sun Gun, 2021; oil and acrylic polymer inlaid on hand-carved wooden panel, 530 x 410 x 27 mm; courtesy of the artist https://freight.cargo.site/t/original/i/E2743383227854380985282203475742/oldVessel_2021_2.jpg Yonsok YI; (old)Vessel, 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/N2743383227762147264913655717662/Murmur1of2_2021_1.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2743383227817487497134784372510/Murmur2of2_2021_2.jpg Yonsok YI; Murmur (2/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist https://yonsokyi.com/annie,-2021 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2742116210765814538852378599198/pcs_3.jpg https://freight.cargo.site/t/original/i/H2742116210692027562557540392734/annie3.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/P2742116210728921050704959495966/pcs_1.jpg https://freight.cargo.site/t/original/i/T2742116210710474306631249944350/annie4.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/M2742116210747367794778669047582/pcs_2.jpg https://freight.cargo.site/t/original/i/M2742116210784261282926088150814/pcs_info.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/R2742116210655134074410121289502/annie1.jpg Yonsok YI; A towering tree falls in the forest, just grazing their head, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/Z2742116210673580818483830841118/annie2.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://yonsokyi.com/no-good,-2021 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2741279032439636507352746417950/nogood_4.jpg https://freight.cargo.site/t/original/i/U2741279032531870227721294176030/nogood_9.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, courtesy of the artist https://freight.cargo.site/t/original/i/B2741279032882358365121775656734/nogood.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2741279032790124644753227898654/nogood_23.jpg https://freight.cargo.site/t/original/i/E2741279032402743019205327314718/nogood_2.jpg https://freight.cargo.site/t/original/i/H2741279032808571388826937450270/nogood_24.jpg https://freight.cargo.site/t/original/i/Y2741279032697890924384680140574/nogood_18.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/M2741279032753231156605808795422/nogood_21.jpg https://freight.cargo.site/t/original/i/Q2741279032458083251426455969566/nogood_5.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, courtesy of the artist https://freight.cargo.site/t/original/i/B2741279032384296275131617763102/nogood_1.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/D2741279032863911621048066105118/nogood_27.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/I2741279032494976739573875072798/nogood_7.jpg https://freight.cargo.site/t/original/i/A2741279032550316971795003727646/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2741279032642550692163551485726/nogood_15.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2741279032679444180310970588958/nogood_17.jpg https://freight.cargo.site/t/original/i/K2741279032845464876974356553502/nogood_26.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/T2741279032513423483647584624414/nogood_8.jpg https://freight.cargo.site/t/original/i/T2741279032587210459942422830878/nogood_12.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on tracing paper, installed on a glass window with brass nails and translucent tape; courtesy of the artist https://freight.cargo.site/t/original/i/E2741279032421189763279036866334/nogood_3.jpg https://freight.cargo.site/t/original/i/Q2741279032771677900679518347038/nogood_22.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2741279032476529995500165521182/nogood_6.jpg https://freight.cargo.site/t/original/i/P2741279032716337668458389692190/nogood_19.jpg https://freight.cargo.site/t/original/i/B2741279032624103948089841934110/nogood_14.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/T2741279032660997436237261037342/nogood_16.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/C2741279032568763715868713279262/nogood_11.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/Z2741279032827018132900647001886/nogood_25.jpg https://freight.cargo.site/t/original/i/Z2741279032605657204016132382494/nogood_13.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://yonsokyi.com/vera-verto,-2020 2026-04-08T09:17:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2743366625489566741506396249886/Cormac_McCarthy_THE_COUNSELOR_p12-13_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p12–13,_Picador,_2013 https://freight.cargo.site/t/original/i/K2743366625655587438169782214430/vv4.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/M2743366625508013485580105801502/Cormac_McCarthy_THE_COUNSELOR_p14-15_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p14–15,_Picador,_2013 https://freight.cargo.site/t/original/i/D2743366625637140694096072662814/vv3.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/W2743366625618693950022363111198/vv2.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/E2743366625471119997432686698270/asscher.jpg Yonsok YI; “No. It’s an Asscher. Look at the corners.”, 2019; Korea National University of Arts, Seoul, Korea, 2019; courtesy of the artist; photo: Jipil Jung https://freight.cargo.site/t/original/i/R2743366625526460229653815353118/Cormac_McCarthy_THE_COUNSELOR_p16-17_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p16–17,_Picador,_2013 https://freight.cargo.site/t/original/i/D2743366625600247205948653559582/vv1.png Yonsok YI; “En este mundo nada es perfecto. As my father would say.”, 2019; oil on canvas, 145 × 258.9 cm; with “The culet seems big.”, 2019; oil on canvas, 30 × 30 cm; “The crown and pavilion don’t fit.”, 2019; oil on canvas, 54.2 × 34.2 cm; “The girdle comes out crooked.”, 2019; oil on canvas, 30 × 30 cm; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/R2743366625544906973727524904734/Cormac_McCarthy_THE_COUNSELOR_p18-19_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p18–19,_Picador,_2013 https://freight.cargo.site/t/original/i/C2743366625563353717801234456350/Cormac_McCarthy_THE_COUNSELOR_p20-21_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p20–21,_Picador,_201