https://yonsokyi.com/published-work-1 2026-04-04T08:17:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2744999502553390988249672703774/SDIM2368.jpg ⒞ Yonsok YI, 2017. https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2748549486474910439942347546398/gwansoo.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/S2867542627232267548931638681374/0228_shower_0059-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627269161037079057784606/0228_shower_0071-copy.jpg Yonsok YI; Little Effie’s Head; 2026; colored pencil on canvas; oil on black canvas; 30 × 40 cm each (2 canvases); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867542627158480572636800474910/0228_shower_0006-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627195374060784219578142/0228_shower_0030-copy.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867542627250714293005348232990/0228_shower_0066-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867561623597080934659345080094/DSC06349.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Q2867561623560187446511925976862/DSC05382.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Y2867561623670867910954183286558/L1001959.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/C2867561623578634190585635528478/DSC05394.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/J2867561623689314655027892838174/L1001999.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/V2867561623615527678733054631710/L1001927.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Z2867561623707761399101602389790/L1002002.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/M2867565596380118369116928859934/L1002004.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/N2867599114999544014910273609502/R2517_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 14 × 14 × 2.7 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114833523318246887644958/250719_39_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/G2867599115036437503057692712734/Wedding_Chest_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/T2867599114944203782689144954654/ita.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867599114925757038615435403038/img20211127_18115591.jpg Yonsok YI; Bonds with Blots; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114981097270836564057886/R2516_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (× 4), 14 × 14 × 4.2 cm (× 2), 14 × 14 × 2.7 cm (× 1) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114907310294541725851422/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/D2867599115091777735278821367582/_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; oil, acrylic polymer and phosphorescent pigment on wood panel; 20 × 20 × 4.2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114796629830099468541726/250719_13_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599114851970062320597196574/250719_59_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599115073330991205111815966/_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/V2867599114888863550468016299806/Bonds_with_Blots_2021.jpg Yonsok YI; Gilded Script (Bonds with Blots); 2021; oil on paper, wood panel, brass nails, acrylic polymer; 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867599114962650526762854506270/kagami.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867599115017990758983983161118/Tongue_2022.jpg Yonsok YI; Reciter’s Tongue; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2.7 cm; installation view, Eyes Far Lips Act.2, 2023; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2867599114870416806394306748190/250719_61_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/H2867599115054884247131402264350/_2025.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867678899455059073860997209886/250719_12.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/X2867764397014787713249532698398/Tobias.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867764396793426784365018079006/R2505.jpg Yonsok YI; R2505 (꿈은 글에서 태어나지 않았고); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 14 × 14 × 4.2 cm (×1) (4 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867764396645852831775341666078/0603_yonsok_0154-1.jpg Yonsok YI; R2508 (거짓말); 2021, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396811873528438727630622/R2506.jpg Yonsok YI; R2506 (이 세상에 동양은 없다); 2021, 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas; 28 × 28 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396664299575849051217694/Angel.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867764396904107248807275388702/R2512.jpg Yonsok YI; R2512 (나르는 도둑들); 2023, 2025; oil, acrylic polymer, ceramic powder and phosphorescent pigment on wood panel; 14 × 14 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×4) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867764396756533296217598975774/R2503.jpg Yonsok YI; R2503 (나르는 도둑들); 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×2) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396719639808070179872542/R2501.jpg Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 21 × 21 × 4.2 cm (×2) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396774980040291308527390/R2504.jpg Yonsok YI; R2504 (나르는 도둑들); 2022, 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×1), 14 × 14 × 4.2 cm (×3) (6 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2867764396977894225102113595166/Tobias-and-the-Angel_Hotel.jpg Yonsok YI; Tobias and the Angel (overpainted on Hotel); 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764397051681201396951801630/.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764396682746319922760769310/liste_1.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim (presented by Whistle); courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/X2867764396885660504733565837086/R2511.jpg Yonsok YI; R2511 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2867764396922553992880984940318/R2513.jpg Yonsok YI; R2513 (나르는 도둑들); 2022, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (×1), 19.7 × 19.7 × 1.9 cm (×1), 14 × 14 × 2.7 cm (×2), 14 × 14 × 1.9 cm (×1) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764397033234457323242250014/Tobit.jpg Yonsok YI; The Blindness of Tobit; 2025; oil on paper, wood panel, brass nails, acrylic polymer; 27.5 × 22 × 2.7 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396867213760659856285470/R2510.jpg Yonsok YI; R2510 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764396959447481028404043550/R2515.jpg Yonsok YI; R2515 (Usurer); 2025; oil and acrylic polymer on wood panel; 18 × 25.8 × 2.6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396941000736954694491934/R2514.jpg Yonsok YI; R2514; 2025; oil and acrylic polymer on wood panel; 21 × 29.8 × 2.5 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396701193063996470320926/liste_2.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/S2867764396738086552143889424158/R2502.jpg Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다); 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×3), 14 × 14 × 2.7 cm (×3) (10 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396830320272512437182238/R2507.jpg Yonsok YI; R2507 (중국의 새들); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867764396996340969175823146782/Tobias_and_the_Angel_Sfumato.jpg Yonsok YI; Tobias and the Angel (overpainted on Sfumato); 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867764396848767016586146733854/R2509.jpg Yonsok YI; R2509; 2022, 2024; oil, ceramic powder, and acrylic polymer on wood panel, 21 × 21 × 2.7 cm (×1), 15 × 15 × 4.2 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2867952180552919963236948500254/19_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180257772058057595674398/7.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867952180128644849541628813086/4.jpg Yonsok YI; Bathroom; 2025; oil, acrylic polymer, ceramic powder and phosphorescent pigment on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180442239498794691190558/14.jpg Yonsok YI; Summery of a November Morning; 2025; oil on black canvas; 41.5 × 24.5 cm each (4 canvases); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867952180589813451384367603486/20.jpg Yonsok YI; Hotel; 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180350005778426143432478/12_1.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2025 (image 2017); oil on polyester canvas, wood panel, acrylic polymer, brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180110198105467919261470/3.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867952180147091593615338364702/5_1.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180460686242868400742174/15.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180479132986942110293790/16_1.jpg Yonsok YI; Mirror; 2025; oil on black canvas; 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180423792754720981638942/13.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180331559034352433880862/11.jpg Yonsok YI; Sfumato; 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180405346010647272087326/13_2.jpg Yonsok YI; Tantalus; 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180202431825836467019550/6_1.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180220878569910176571166/6_2.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867952180313112290278724329246/10.jpg Yonsok YI; Easel; 2021; oil, copper powder and acrylic polymer on corrugated polypropylene sheet; framed; 28 × 23 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180294665546205014777630/9.jpg Yonsok YI; Picture Plane (The Richter Candle, tri); 2025; oil on black canvas; 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867952180516026475089529397022/18_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180183985081762757467934/5.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180239325313983886122782/6.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180368452522499852984094/12_2.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2025 (image 2017); oil on polyester canvas, wood panel, acrylic polymer, brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2867952180534473219163238948638/18_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180276218802131305226014/8.jpg Yonsok YI; Picture Plane (The Richter Candle, sq); 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2867952180626706939531786706718/dog_ns_yonsokyi.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180571366707310658051870/19_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180386899266573562535710/13_1.jpg Yonsok YI; G; 2025; oil on black canvas; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180165538337689047916318/5_2.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180608260195458077155102/21.jpg Yonsok YI; Clock; 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867956163776814543414138494750/0212_0085.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867956163758367799340428943134/0212_0057.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867956163721474311193009839902/0212_0045.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867956163684580823045590736670/0212_0031.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867956163739921055266719391518/0212_0053.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868019289069990355637345443614/2.jpg Yonsok YI; Object So Foreign; 2024; lime-based medium, oil, and blue ceramic pigment on wood panel; 15 × 15 × 4.2 cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/M2868019289180670820079602753310/3.jpg installation view; 터 Teo; 2025; Bio Gallery, Seoul, Korea; courtesy of Bio Gallery https://freight.cargo.site/t/original/i/M2868020958943050884120795930398/snumoa2.jpg Yonsok YI; Composition for Lee, 2024; from Relic series (2021, 2023); oil, acrylic polymer and phosphorescent pigment on wood panel, PVC; variable dimensions; courtesy of the artist; photo: Ku and Park https://freight.cargo.site/t/original/i/J2868020958832370419678538620702/snumoa1.jpg Yongjae Lee & Yonsok YI, 여러 그림의 나열; installation view; Lost and Found, 2024; Seoul National University Museum of Art, Seoul, Korea; courtesy of the artists; photo: Ku and Park https://freight.cargo.site/t/original/i/I2868049653222392420802525650718/prv_Shower.jpg installation view; works by Simon Shim-Sutcliffe & Yonsok YI; courtesy of Shower https://freight.cargo.site/t/original/i/B2868056252083916188551877484318/0509_0127-17.jpg Yonsok YI; Disloyalty Production Intro 7/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2868056252194596652994134794014/N0026090.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/J2868056252231490141141553897246/sook2.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/U2868056252065469444478167932702/0509_0127-16.jpg Yonsok YI; Disloyalty Production Intro 6/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056251991682468183329726238/0509_0127-12.jpg Yonsok YI; Disloyalty Production Intro 2/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868056252157703164846715690782/20240608-000031.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/U2868056252102362932625587035934/0509_0127-18.jpg Yonsok YI; Disloyalty Production Intro 8/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868056251844108515593653313310/0509_0055.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868056251954788980035910623006/0509_0077.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868056252120809676699296587550/0509_0127-19.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056252010129212257039277854/0509_0127-13.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2868056252176149908920425242398/N0026029.jpg boma pak; fldjf-Pre-Cartier-Crystals (leaning on Yi, Lee, Park); 2024; oil, oil pastel, marker, glitter powder, rhinestone, glue on black canvas; nail, digital image, QR code, digital print, yarn, adhesive tape, variable dimensions; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/W2868056252047022700404458381086/0509_0127-15.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868056251936342235962201071390/0509_0065.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868056252139256420773006139166/0509_0309.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2868056252213043397067844345630/sook2_cartier.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/X2868056252028575956330748829470/0509_0127-14.jpg Yonsok YI; Disloyalty Production Intro 4/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2868056251973235724109620174622/0509_0127-1.jpg Yonsok YI; Disloyalty Production Intro 1/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868080735838582668807322197790/2.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/X2868080735857029412881031749406/3.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/P2868080735875476156954741301022/4.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/F2868084809562203674603572420382/1.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://freight.cargo.site/t/original/i/U2868084809728224371266958384926/5.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/V2868084809691330883119539281694/3.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/N2868084809709777627193248833310/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/C2868084809672884139045829730078/2.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/Q2868102302185333659676050186014/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/M2868102302296014124118307495710/pack.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/J2868115577532280257344547053342/amb10.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868115577421599792902289743646/amb3.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577476940025123418398494/amb7.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577495386769197127950110/amb8.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868115577661407465860513914654/reciter.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868115577403153048828580192030/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868115577606067233639385259806/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868115577513833513270837501726/amb9.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2868115577458493281049708846878/amb5.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868115577440046536975999295262/amb4.png https://freight.cargo.site/t/original/i/N2868115577624513977713094811422/jibin.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2868115577642960721786804363038/noma.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577292472584386322882334/amb1.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577550727001418256604958/hanjoo.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868120494253658687593596575518/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/Y2868120494401232640183272988446/yokohama_noh.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/F2868120494382785896109563436830/Ushio-Shrine.jpg ⒞ Ushio Shrine https://freight.cargo.site/t/original/i/P2868120494419679384256982540062/yokohama_noht.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/X2868137703018290866423494074142/efla2_2023_2.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868137703036737610497203625758/efla2_2023_3.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703073631098644622728990/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Tantalus, 2022, 2023; text engraving on cowhide; each 225 × 143 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/T2868137703424119236045104209694/efla2_2023_24.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702852270169760108109598/ambassadors.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703239651795308008693534/efla2_2023_14.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703110524586792041832222/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin; Hashigakari (bridge) https://freight.cargo.site/t/original/i/D2868137703092077842718332280606/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Easel, 2022, 2023; text engraving on lambskin; each 230 × 162 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703516352956413651967774/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868137703368779003823975554846/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial tunic in the form of a cross; 2023; wool, cotton, linen, interfaced in silk organza; approx. 240 × 240 cm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703055184354570913177374/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Sfumato, 2022, 2023; text engraving on cowhide; each 210 × 170 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703147418074939460935454/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702999844122349784522526/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703405672491971394658078/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial robe of rectangular construction; 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703479459468266232864542/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703497906212339942416158/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 160 × 160 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703461012724192523312926/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703331885515676556451614/efla2_2023_19.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703128971330865751383838/efla2_2023_8.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703165864819013170487070/efla2_2023_10.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868137703313438771602846899998/efla2_2023_18.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703387225747897685106462/efla2_2023_22.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703258098539381718245150/efla2_2023_15.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703350332259750266003230/efla2_2023_20.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703276545283455427796766/efla2_2023_16.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868137703221205051234299141918/efla2_2023_13.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868137703202758307160589590302/efla2_2023_12.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; The Ambassadors, 2023; oil on linen; each 25 × 25 cm courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/P2868137703294992027529137348382/efla2_2023_17.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 150 × 140 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703442565980118813761310/efla2_2023_25.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137702981397378276074970910/efl_2022.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868137703184311563086880038686/efla2_2023_11.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2868168702292091389408536420126/yon_ROC9328_2.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/J2868168702273644645334826868510/yon_ROC9319_3.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/C2868168702052283716450312249118/yon_ROC9187_4.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/K2868168702310538133482245971742/yon_ROC9334_1.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/Z2868182076181544828833458020126/0105_0212.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182075960183899948943400734/0105_0092-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 146 × 73 × 3 cm (2 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182076107757852538619813662/0105_0174-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; detail; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182076126204596612329365278/0105_0176.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182075904843667727814745886/0105_0080.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076015524132170072055582/0105_0121.jpg Yonsok YI; you will never learn “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182075941737155875233849118/0105_0089-1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 91 × 73 × 3 cm (1 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868182075886396923654105194270/0105_0072.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076089311108464910262046/0105_0170.jpg Yongjae Lee; 연석_5; 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182076033970876243781607198/0105_0125-1.jpg Yonsok YI; Closed Open; 2022; oil on black canvas; 101 × 81 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182075867950179580395642654/0105_0061_2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182075849503435506686091038/0105_0061_1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 117 × 91 × 3 cm, 146 × 73 × 3 cm, 91 × 73 × 3 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2868182076070864364391200710430/0105_0145-1.jpg Yonsok YI; Opened Colse; 2022; oil on black canvas; 33 × 53 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2868182075609695762548461920030/0105_0055.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2868182076273778549202005778206/.jpg Yonsok YI; 함 函, 2021/2022; oil on black canvas, oil on paper, oil on wood, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868182076218438316980877123358/Century.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076236885061054586674974/Tail_1.jpg Yonsok YI; Tail; 2022; oil on wood; 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868182075923290411801524297502/0105_0086.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868182075978630644022652952350/0105_0096-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 117 × 91 × 3 cm (3 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2868182076255331805128296226590/Tail_2.jpg Yonsok YI; Tail; 2022; oil on wood, 4 × 8 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868182076052417620317491158814/0105_0135-1.jpg Yonsok YI; “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076199991572907167571742/0105_0216.jpg Yonsok YI; 섬전암 Fulgurite “벼락이 땅에 떨어질 때, 땅속의 모래 성분이 녹았다 다시 굳어지며 나뭇가지 모양의 줄기가 생기다.”; 2022; oil on wood; 13 × 13 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182076163098084759748468510/0105_0184.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View;2023; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2868182075997077388096362503966/0105_0107-1.jpg Yonsok YI; Rose; 2022; oil and acrylic polymer on linoleum block; oil and soot on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868198301697824390796835282718/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/E2868202689846198132972392800030/efl23.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202690086005805930616971038/piano2of3.jpg Yonsok YI; Piano (panel 2 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868202689864644877046102351646/efl24.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/X2868202689883091621119811903262/efl25.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202690104452550004326522654/piano3of3.jpg Yonsok YI; Piano (panel 3 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868202689495709995571911319326/efl4.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/G2868202690030665573709488316190/IMG_2987.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul; courtesy of the artists; photo: Yonsok YI https://freight.cargo.site/t/original/i/T2868202689993772085562069212958/eflns1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868202689753964412603845041950/efl18.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/P2868202689514156739645620870942/efl5.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/L2868202690067559061856907419422/piano1of3.jpg Yonsok YI; Piano (panel 1 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868202689532603483719330422558/efl6.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868202689477263251498201767710/efl3.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/O2868202689790857900751264145182/efl20.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202689551050227793039974174/efl7.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/J2868202689440369763350782664478/efl1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/M2868202689569496971866749525790/efl8.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/I2868202689606390460014168629022/efl10.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/N2868202690049112317783197867806/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868202689680177436309006835486/efl14.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689587943715940459077406/efl9.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/D2868202689919985109267231006494/efl27.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/A2868202689735517668530135490334/efl17.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868202690012218829635778764574/eflns2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868202689772411156677554593566/efl19.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689458816507424492216094/efl2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868202689255902322613687148318/easel-copy.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868202689809304644824973696798/efl21.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/R2868202689624837204087878180638/efl11.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202689956878597414650109726/efl29.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868202689643283948161587732254/efl12.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/E2868202689661730692235297283870/efl13.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689938431853340940558110/efl28.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689901538365193521454878/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Z2868233074751187281060818575134/2022_0621-18_R1.jpg Yonsok YI; An Old Woman; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/B2868233074511379608102594404126/2022_0621-16_R1.jpg Yonsok YI; Mother of Pearl; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/Z2868233074788080769208237678366/aga_2.jpg Yonsok YI; installation view, Are we being Good, Ancestors?, 2022; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/T2868233074732740536987109023518/2022_0621-17_R1.jpg Yonsok YI; Virgin and child with a pear; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/D2868239708347930139605256101662/prv_wn.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://freight.cargo.site/t/original/i/U2868244227689547734003144711966/old_Vessel_2021_1.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/L2868244227652654245855725608734/Murmur2of2_2021_1.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227726441222150563815198/Sun_Gun_2021_1.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868244227634207501782016057118/Murmur1of2_2021_2.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227228379132160405921566/Murmur1of2_2021_1.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2868244227671100989929435160350/Murmur2of2_2021_2.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/V2868244227744887966224273366814/Sun_Gun_2021_2.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/H2868244227707994478076854263582/old_Vessel_2021_2.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868248423401487299240659771166/pcs_3.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/L2868248423050999161840178290462/annie1.jpg Yonsok YI; A towering tree falls in the forest, just grazing their head; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/U2868248423327700322945821564702/annie3.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/D2868248423364593811093240667934/pcs_1.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/W2868248423346147067019531116318/annie4.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/C2868248423383040555166950219550/pcs_2.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/T2868248423309253578872112013086/annie2.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/Q2868258503311191728572077956894/nogood_23.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503292744984498368405278/nogood_22.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503089830799687563337502/nogood_11.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503255851496350949302046/nogood_20.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503200511264129820647198/nogood_17.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502923810103024177372958/nogood_2.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503052937311540144234270/nogood_9.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503108277543761272889118/nogood_12.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window with brass nails and translucent tape; courtesy of the artist https://freight.cargo.site/t/original/i/J2868258502979150335245306027806/nogood_5.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503237404752277239750430/nogood_19.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/O2868258503366531960793206611742/nogood_26.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503348085216719497060126/nogood_25.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Y2868258503329638472645787508510/nogood_24.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503163617775982401543966/nogood_15.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503145171031908691992350/nogood_14.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502942256847097886924574/nogood_3.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/C2868258503071384055613853785886/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503384978704866916163358/nogood_27.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502665555685992243650334/nogood_1.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502960703591171596476190/nogood_4.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/D2868258503403425448940625714974/nogood.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503016043823392725131038/nogood_7.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503126724287834982440734/nogood_13.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258502997597079319015579422/nogood_6.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503274298240424658853662/nogood_21.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/B2868258503182064520056111095582/nogood_16.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503034490567466434682654/nogood_8.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503218958008203530198814/nogood_18.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/D2868273852238192907857562427166/Cormac_McCarthy_THE_COUNSELOR_p12-13_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p12–13,_Picador,_2013 https://freight.cargo.site/t/original/i/A2868273852404213604520948391710/vv4.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/C2868273852311979884152400633630/Cormac_McCarthy_THE_COUNSELOR_p20-21_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p20–21,_Picador,_2013 https://freight.cargo.site/t/original/i/N2868273852293533140078691082014/Cormac_McCarthy_THE_COUNSELOR_p18-19_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p18–19,_Picador,_2013 https://freight.cargo.site/t/original/i/M2868273851961491746751919152926/asscher.jpg Yonsok YI; “No. It’s an Asscher. Look at the corners.”; 2019; Korea National University of Arts, Seoul, Korea; courtesy of the artist; photo: Jipil Jung https://freight.cargo.site/t/original/i/O2868273852367320116373529288478/vv2.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/I2868273852275086396004981530398/Cormac_McCarthy_THE_COUNSELOR_p16-17_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p16–17,_Picador,_2013 https://freight.cargo.site/t/original/i/V2868273852330426628226110185246/installation_view_Vera_Verto_2020_5.jpg Yonsok YI; “En este mundo nada es perfecto. As my father would say.”; 2019; oil on canvas; 145 × 258.9 cm; with “The culet seems big.”; 2019; oil on canvas; 30 × 30 cm; “The crown and pavilion don’t fit.”; 2019; oil on canvas; 54.2 × 34.2 cm; “The girdle comes out crooked.”; 2019; oil on canvas; 30 × 30 cm; installation view, Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/G2868273852256639651931271978782/Cormac_McCarthy_THE_COUNSELOR_p14-15_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p14–15,_Picador,_2013 https://freight.cargo.site/t/original/i/Y2868273852348873372299819736862/vv1.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://yonsokyi.com/index_under-construction 2026-04-01T07:35:32+00:00 always 0.5 https://yonsokyi.com/room_under-construction 2026-04-04T08:32:01+00:00 always 0.5 https://yonsokyi.com/nav 2026-04-04T08:26:22+00:00 always 0.5 https://yonsokyi.com/nav-copy 2026-04-01T07:35:32+00:00 always 0.5 https://yonsokyi.com 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2744999502553390988249672703774/SDIM2368.jpg https://freight.cargo.site/t/original/i/G2745073891945007041588963827486/kagami-ita-amb.jpg https://yonsokyi.com/published-work 2026-04-01T18:46:43+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2743964988061108880345029926686/B.jpg https://yonsokyi.com/space 2026-04-01T07:35:31+00:00 always 0.5 https://yonsokyi.com/no-more-play 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2832571674044561292274276491038/0228_shower_0053-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2832571674081454780421695594270/0228_shower_0071-copy.jpg Yonsok YI; Little Effie’s Head; 2026; colored pencil on canvas and oil on black canvas; 30 × 40 cm each (2 canvases); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2832571674026114548200566939422/0228_shower_0030-copy.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee (Feb. 28) https://freight.cargo.site/t/original/i/H2832571674007667804126857387806/0228_shower_0006-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2832575506706130742834106195742/0228_shower_0059-copy.jpg installation view (Feb. 28); No More Play; 2026; Shower, Seoul, Korea; group exhibition; courtesy of the artists and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2835815931830852554619849793310/0228_shower_0030-copy-2.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee (Feb. 28) https://yonsokyi.com/scenography-for-the-gardener 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2740232092755501926831712100126/DSC05382.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/Z2740232092773948670905421651742/DSC05394.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/U2740232092792395414979131203358/DSC06349.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/O2740232092884629135347678961438/L1002002.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/H2740232092903075879421388513054/L1002004.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/C2740232092810842159052840754974/L1001927.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/D2740232092866182391273969409822/L1001999.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://freight.cargo.site/t/original/i/O2740238261678761568632544419614/L1001959.jpg Yonsok YI; Scenography for the Gardener, 2025; courtesy of the artist; photo: Terri Kim https://yonsokyi.com/rooms-of-convergence,-2025 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2740350542472039196540681314078/R2516_1.jpg Yonsok YI; R2516, 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm (7‑unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740350542564272916909229072158/_2025.jpg Yonsok YI; 섬전암 Fulgurite, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 14 × 14 × 2cm; courtesy of the artist https://freight.cargo.site/t/original/i/I2740350542435145708393262210846/ita.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740350542453592452466971762462/kagami.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740350542416698964319552659230/img20211127_18115591.jpg Yonsok YI; Bonds with Blots, 2021; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/L2740350542582719660982938623774/_2025.jpg Yonsok YI; 함 Korean Wedding Chest, 2023; oil, acrylic polymer, and phosphorescent pigment inlaid on hand-carved and finely sanded wooden panel, 20 × 20 × 4.2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/R2740350542490485940614390865694/R2517_1.jpg Yonsok YI; R2517, 2023/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 14 × 14 × 2.7 cm (5‑unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/U2740350542527379428761809968926/Wedding_Chest_2023.jpg Yonsok YI; 함 Korean Wedding Chest, 2023; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/J2740350542379805476172133555998/Bonds_with_Blots_2021.jpg Yonsok YI; Gilded Script (Bonds with Blots), 2021; oil on paper mounted on wooden panel with brass nails, 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2740350542545826172835519520542/_2025.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2740350542508932684688100417310/Tongue_2022.jpg Yonsok YI; Reciter’s Tongue, 2022; oil and acrylic polymer inlaid on an engraved and charred wooden panel, 14 × 14 × 2.7 cm; installation view from Eyes Far Lips Act.2; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2740356156222089195978848198430/250719_39_1.jpg https://freight.cargo.site/t/original/i/U2740356156240535940052557750046/250719_59_1.jpg ⒞ Shower, 2025. https://freight.cargo.site/t/original/i/N2740356156203642451905138646814/250719_13_1.jpg ⒞ Whistle, 2025. https://freight.cargo.site/t/original/i/X2740356156258982684126267301662/250719_61_1.jpg https://yonsokyi.com/liste,-2025 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2740809771749230722172210372382/Kagami-ita_2025.jpg Yonsok YI; 거울판 Kagami-ita, 2025; oil on black canvas, 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2740809772136612347720110956318/Tobias_and_the_Angel_2of2.jpg Yonsok YI; Tobias and the Angel (2/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740809771915251418835596336926/R2506.jpg Yonsok YI; R2506 (이 세상에 동양은 없다.), 2021/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas mounted on wooden panel with nails, 28 × 28 × 3 cm; (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809772118165603646401404702/Tobias_and_the_Angel_1of2.jpg Yonsok YI; Tobias and the Angel (1/2), 2025, oil on black canvas, 30.3 × 30.3 × 4 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740809771730783978098500820766/0603_yonsok_0026-2.jpg Yonsok YI, Tobias and the Angel (overpainted on Sfumato, 2021-2025), 2025, oil on black canvas, 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2740809771933698162909305888542/R2507.jpg Yonsok YI; R2507 (중국의 새들), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 42.3 × 42.3 × 4.2 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740809771712337234024791269150/0603_yonsok_0014-2.jpg Yonsok YI; Tobias and the Angel (overpainted on Hotel, 2025), 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2740809772062825371425272749854/R2514.jpg Yonsok YI; R2514, 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 29.8 × 2.5 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740809771804570954393339027230/R2501.jpg Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm (7-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740809772025931883277853646622/R2512.jpg Yonsok YI; R2512 (나르는 도둑들), 2023/2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2740809771841464442540758130462/R2503.jpg Yonsok YI; R2503 (나르는 도둑들), 2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels; 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740809772044378627351563198238/R2513.jpg Yonsok YI; R2513 (나르는 도둑들), 2022/2025; oil, acrylic polymer, and phosphorescent pigment inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm, 19.7 × 19.7 × 1.9 cm, 14 × 14 × 2.7 cm, 14 × 14 × 1.9 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740809772099718859572691853086/The_Blindness_of_Tobit.jpg Yonsok YI; The Blindness of Tobit, 2025; oil on paper panels, 27.5 × 22 × 2.7 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2740809771823017698467048578846/R2502.jpg Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다.), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm, 14 × 14 × 2.7 cm (10-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771970591651056724991774/R2509.jpg Yonsok YI; R2509, 2022/2024; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7 cm, 15 × 15 × 4.2 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771989038395130434543390/R2510.jpg Yonsok YI; R2510 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740809771786124210319629475614/liste_oh2.jpg installation view; In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1 Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/T2740809771878357930688177233694/R2505.jpg Yonsok YI; R2505 (꿈은 글에서 태어나지 않았고,), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 42.3 × 42.3 × 4.2 cm, 28 × 28 × 4.2 cm, 14 × 14 × 4.2 cm (4-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740809771952144906983015440158/R2508.jpg Yonsok YI; R2508 (거짓말), 2021/2025, oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 28 × 28 × 4.2 cm, 14 × 14 × 2.7 cm (2-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2740809772007485139204144095006/R2511.jpg Yonsok YI; R2511 (저녁에 이르기 위해서,), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 28 × 28 × 4.2 cm (5-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740809772081272115498982301470/R2515.jpg Yonsok YI; R2515 (Usurer), 2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 18 × 25.8 × 2.6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2740809771896804674761886785310/R2506_detail.jpg Yonsok YI; R2506 (이 세상에 동양은 없다.), 2025; panel 1 fo 2; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 42.3 × 42.3 × 4.2 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/I2740809771859911186614467682078/R2504.jpg Yonsok YI; R2504 (나르는 도둑들), 2022/2025; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 35 × 35 × 4.2 cm, 28 × 28 × 4.2 cm, 21 × 21 × 4.2 cm, 14 × 14 × 4.2 cm (6-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740809771767677466245919923998/liste_oh1.jpg installation view; In the Living Room, 2025; Liste Art Fair Basel, Messe Basel Hall 1.1 Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim presented by Whistle; courtesy of the artists; photo: Jinhyuk Oh https://yonsokyi.com/everyone-else-is-asleep,-2025 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2740848142175942402830692507422/12_2.jpg Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848142212835890978111610654/13_2.jpg Yonsok YI; Tantalus, 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2740848142083708682462144749342/8.jpg Yonsok YI; Picture Plane (The Richter candle, sq.), 2025; oil on black canvas, 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2740848141899241241725049233182/4.jpg Yonsok YI; Bathroom, 2025; oil, ceramic powder, and acrylic polymer inlaid on engraved and finely sanded wooden panel, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2740848142434196819862626230046/dog_ns_yonsokyi.jpg Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm, detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2740848141936134729872468336414/5_2.jpg Yonsok YI; Cream & Lotion, 2025; panel 2 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142341963099494078471966/18_2.jpg Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848141917687985798758784798/5_1.jpg Yonsok YI; Cream & Lotion, 2025; panel 1 of 2; oil and acrylic polymer on wooden panel; 10 × 10 × 2.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142360409843567788023582/19_1.jpg Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2740848142065261938388435197726/7.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2740848142323516355420368920350/18_1.jpg Yonsok YI; Flying Thief, 2025; panel 2 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740848142120602170609563852574/10.jpg Yonsok YI; Easel, 2021; oil, copper powder, corrugated polypropylene sheet, and acrylic polymer, framed, 28 × 23 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2740848141843901009503920578334/1.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2740848142268176123199240265502/15.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2740848142028368450241016094494/6_4.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740848142194389146904402059038/13_1.jpg Yonsok YI; G, 2025; oil on black canvas, 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740848142157495658756982955806/12_1.jpg Yonsok YI; 사람 머리 새 Human-faced Bird, 2025 (re: 2017); oil on polyester canvas mounted on wooden panel with oil and acrylic polymer, fixed with brass nail, 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2740848142046815194314725646110/6.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm, detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740848142009921706167306542878/6_3.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”, 2025 (re: 2023); oil on black canvas, 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2740848142415750075788916678430/21.jpg Yonsok YI; Clock, 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2740848142102155426535854300958/9.jpg Yonsok YI; Picture Plane (The Richter candle, tri.), 2025; oil on black canvas, 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2740848141954581473946177888030/5.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2740848142139048914683273404190/11.jpg Yonsok YI; Sfumato, 2025 (re: 2021); oil on black canvas, 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142249729379125530713886/14.jpg Yonsok YI; Summery of a November Morning, 2025; oil on black canvas, each 41.5 × 24.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740848142231282635051821162270/13.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2740848142286622867272949817118/16_1.jpg Yonsok YI; Mirror, 2025; oil on black canvas, 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740848142378856587641497575198/19_2.jpg Yonsok YI; Flying Thief, 2025; panel 1 of 2; oil on black canvas with oblique frame; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740848141862347753577630129950/2.jpg Yonsok YI; installation view; Everyone Else Is Asleep, 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2740848142397303331715207126814/20.jpg Yonsok YI; Hotel, 2025; oil on black canvas, 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740848141880794497651339681566/3.jpg Yonsok YI; The Dog, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2740984739319684042080093200158/a_featurette_2022_sfumato.jpg Muyeong Kim; exhibition text; a Featurette: sfumato, 2022; courtesy of the artist https://freight.cargo.site/t/original/i/X2740984739338130786153802751774/a_featurette_2022_tantalus.jpg Muyeong Kim; exhibition text; a Featurette: tantalus, 2022; courtesy of the artist https://freight.cargo.site/t/original/i/J2740984739282790553932674096926/a_featurette_2022_easel.jpg Muyeong Kim; exhibition text; a Featurette: easel, 2022; courtesy of the artist https://yonsokyi.com/터,-2025 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2740888619552868694446741118750/2.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/S2740888619571315438520450670366/3.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/O2740888619534421950373031567134/1.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panels, 21 × 21 × 2.7cm; 15 × 15 × 4.2cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2748541944542042647865878896414/3.jpg Yonsok YI; object so much foreign, 2024 (re: 2022); lime-based medium, oil, and blue ceramic pigment inlaid on engraved and finely sanded wooden panel, 15 × 15 × 4.2cm; courtesy of the artist; photo: Bio Gallery https://yonsokyi.com/여러-그림의-나열,-2024 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2740900993093837760676388134686/snumoa2.jpg Yonsok YI; composition for Seoul National University Museum of Art, 2024; from the Relic series (2021-2023), oil and acrylic polymer inlaid on engraved, finely sanded wooden panels, wrapped with PVC, variable dimensions; courtesy of the artist; photo: Ku and Park https://freight.cargo.site/t/original/i/S2740900993075391016602678583070/snumoa1.jpg 이용재, /, 이연석과 협업으로 구성, 여러 그림의 나열, 2024, 서울대학교미술관, 작가 제공, 사진: 구태승, 박종현 Yongjae Lee & Yonsok YI; /, 2024; an arrangement of multiple paintings; Seoul National University Museum of Art; courtesy of the artists; photo: Ku and Park https://yonsokyi.com/with-shower,-2024 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2740911144189527570452966006558/1.jpg Simon Shim-Sutcliffe & Yonsok YI; installation view; courtesy of the artists; photo: Shower https://freight.cargo.site/t/original/i/K2748542185032245136817303314206/1.jpg Simon Shim-Sutcliffe & Yonsok YI; installation view; courtesy of the artists; photo: Shower https://yonsokyi.com/2^4,-2024 2026-04-01T07:35:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2740917603870367302063750897438/0509_0127-15.jpg Yonsok YI; Disloyalty Production Intro (5/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2740917604036387998727136861982/sook2_cartier.jpg Yonsok YI; Hyangsook holding a painting (Cartier), 2024; photograph, digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/B2740917603833473813916331794206/0509_0127-13.jpg Yonsok YI; Disloyalty Production Intro (3/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/I2740917603704346605400364932894/24f.jpg ⒞ Yonsok YI, 2024. https://freight.cargo.site/t/original/i/O2740917603851920557990041345822/0509_0127-14.jpg Yonsok YI; Disloyalty Production Intro (4/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2740917604054834742800846413598/sook2.jpg Yonsok YI; Hyangsook holding a painting (Cartier), 2024; photograph, digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/A2740917604017941254653427310366/N0026090.jpg Yonsok YI; Disloyalty Production Intro (5/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/L2740917603981047766506008207134/20240608-000031.jpg Yonsok YI; Disloyalty Production Intro (9/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/B2740917603815027069842622242590/0509_0127-12.jpg Yonsok YI; Disloyalty Production Intro (2/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740917603888814046137460449054/0509_0127-16.jpg Yonsok YI; Disloyalty Production Intro (6/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740917603741240093547784036126/0509_0055.jpg boma pak & Yonsok YI; installation view; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2740917603962601022432298655518/0509_0309.jpg Yonsok YI; Disloyalty Production Intro (3/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2740917603925707534284879552286/0509_0127-18.jpg Yonsok YI; Disloyalty Production Intro (8/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2740917603907260790211170000670/0509_0127-17.jpg Yonsok YI; Disloyalty Production Intro (7/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2740917603796580325768912690974/0509_0127-1.jpg Yonsok YI; Disloyalty Production Intro (1/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2740917603944154278358589103902/0509_0127-19.jpg Yonsok YI; Disloyalty Production Intro (9/9), 2024; oil on black canvas, oblique frame, 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2740917603999494510579717758750/N0026029.jpg boma pak; fldjf-Pre-Cartier-Crystals (leaning on Yi, Lee, Park), 2024; oil, oil pastel, marker, glitter powder, rhinestone, glue on black canvas, nail, digital image, QR code, digital print, yarn, adhesive tape, variable dimensions; courtesy of the artist; photo: Hong Sohyun https://yonsokyi.com/goodnight,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2741005552744128920419762429726/1.jpg ⒞ Muyeong Kim, 2023. https://freight.cargo.site/t/original/i/C2741005552799469152640891084574/4.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/C2741005552781022408567181532958/3.jpg https://freight.cargo.site/t/original/i/R2741005552762575664493471981342/2.jpg ⒞ Shower, 2023. https://yonsokyi.com/eyes-far-lips-act-2-scene-2,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2741070540162331997327366807326/5.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/I2741070540125438509179947704094/3.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/H2741070540088545021032528600862/1.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://freight.cargo.site/t/original/i/R2741070540106991765106238152478/2.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/F2741070540143885253253657255710/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg <a class="" href="ambassadors,-2023" rel="history">Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg <a href="eyes-far-lips-act-2,-2023" rel="history">Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/K2748504409254775416259927072542/efla2s2-copy.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://yonsokyi.com/pack,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/K2741087117365787324563345628958/pack.jpg Yonsok YI; 섬전암 Fulgurite, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel, 14 × 14 × 2 cm; displayed on a wooden block; courtesy of the artist https://yonsokyi.com/ambassadors,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2745016615690101888969254625054/reciter.png Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2745016615671655144895545073438/noma.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615487187704158449557278/amb7.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2745016615468740960084740005662/amb5.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745016615413400727863611350814/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745016615505634448232159108894/amb8.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745016615616314912674416418590/hanjoo4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/R2745016615450294216011030454046/amb4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/R2745016615560974680453287763742/hanjoo.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745016615542527936379578212126/amb10.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2745016615394953983789901799198/amb1.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/X2745016615634761656748125970206/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2745016615524081192305868660510/amb9.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745016615653208400821835521822/jibin.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/P2745073891926560297515254275870/efla2s2_2023.jpg <a href="eyes-far-lips-act-2-scene-2,-2023" rel="history">Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; installation view, Shower, Seoul, Korea; courtesy of the artist; photo: 황아림</a> https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg <a href="eyes-far-lips-act-2,-2023" rel="history">Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/R2748504409199435184038798417694/amb-copy.jpg Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://yonsokyi.com/eyes-far-lips-act-2,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2745073891539178671967353691934/efla2_2023_8.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891797433088999287414558/efla2_2023_22.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891631412392335901450014/efla2_2023_13.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891391604719377677279006/efl_2022.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 25 × 300 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745073891908113553441544724254/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; Anamorphosis, 2023; oil on linen fixed with brass nails, approx. 160 × 160 cm https://freight.cargo.site/t/original/i/P2745073891926560297515254275870/efla2s2_2023.jpg <a href="eyes-far-lips-act-2-scene-2,-2023" rel="history">Yonsok YI; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; installation view, Shower, Seoul, Korea; courtesy of the artist; photo: 황아림</a> https://freight.cargo.site/t/original/i/B2745073891871220065294125621022/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2745073891668305880483320553246/efla2_2023_15.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2745073891705199368630739656478/efla2_2023_17.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; Anamorphosis, 2023; oil on linen fixed with brass nails, approx. 150 × 140 cm https://freight.cargo.site/t/original/i/O2745073891815879833072996966174/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin C. H. Lee; Ceremonial robe of rectangular construction, 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin https://freight.cargo.site/t/original/i/J2745073891889666809367835172638/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891428498207525096382238/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891520731927893644140318/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891742092856778158759710/efla2_2023_19.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2745073891576072160114772795166/efla2_2023_10.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891686752624557030104862/efla2_2023_16.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891612965648262191898398/efla2_2023_12.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Yongjae Lee; The Ambassadors, 2023; oil on linen with oblique frame, each 25 × 25 cm https://freight.cargo.site/t/original/i/M2745073891483838439746225037086/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Tantalus, 2022/2023; text engraving on cowhide, each 225 × 143 mm https://freight.cargo.site/t/original/i/P2745073891373157975303967727390/ambassadors.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2745073891465391695672515485470/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Sfumato, 2022/2023; text engraving on cowhide, each 210 × 170 mm https://freight.cargo.site/t/original/i/G2745073891945007041588963827486/kagami-ita-amb.jpg <a href="ambassadors,-2023" rel="history">Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin</a> https://freight.cargo.site/t/original/i/Y2745073891852773321220416069406/efla2_2023_25.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2745073891760539600851868311326/efla2_2023_20.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2745073891446944951598805933854/efla2_2023_3.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2745073891723646112704449208094/efla2_2023_18.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2745073891649859136409611001630/efla2_2023_14.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2745073891502285183819934588702/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin Muyeong Kim; a Featurette: Easel, 2022/2023; text engraving on cowhide; each 230 × 162 mm https://freight.cargo.site/t/original/i/W2745073891778986344925577862942/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artists; photo: uma shin C. H. Lee; Ceremonial tunic in the form of a cross, 2023; wool, cotton, linen, interfaced in silk organza, approx. 240 × 240 cm https://freight.cargo.site/t/original/i/R2745073891594518904188482346782/efla2_2023_11.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2745073891834326577146706517790/efla2_2023_24.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2745086349160407226165136973598/piano_2022ad.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels; 25 × 300 × 4 cm, triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2748504409236328672186217520926/efla2-copy.jpg Yonsok YI; Eyes Far Lips Act 2, 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://yonsokyi.com/with-shower,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2741101609625993720777253052190/gwansoo.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/M2748549486474910439942347546398/gwansoo.jpg ⒞ Yonsok YI, 2023. https://yonsokyi.com/framer,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2741109943864966222752673160990/yon_ROC9334_1.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/Z2741109943828072734605254057758/yon_ROC9319_3.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/H2741109943809625990531544506142/yon_ROC9187_4.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://freight.cargo.site/t/original/i/M2741109943846519478678963609374/yon_ROC9328_2.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: Euirock Lee https://yonsokyi.com/서쪽으로-넘어가는-일,-2023 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2740350542398252220245843107614/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite, 2022; digital scan (TIFF file), from the a Late Night Special series; courtesy of the artist https://freight.cargo.site/t/original/i/D2748306517306719143059835838238/0105_0145-1.jpg Yonsok YI; Opened Colse, 2022; oil on black canvas, 33 × 53 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748306517417399607502093147934/0105_0212.jpg Yonsok YI; Century, 2022; oil on canvas, 20 × 20 × 6 cm, 20 × 20 × 6 cm, 20 × 40 × 6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2748306517011571237880483012382/0105_0061-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2748306517454293095649512251166/Century.jpg Yonsok YI; Century, 2022; oil on canvas, 20 × 20 × 6 cm, 20 × 20 × 6 cm, 20 × 40 × 6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2748306517380506119354674044702/0105_0174-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; detail; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2748306517122251702322740322078/0105_0089-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 3 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2748306517472739839723221802782/.jpg Yonsok YI; 함 函, 2021/2022; oil on black canvas, oil on paper, oil on hand-carved wood, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517066911470101611667230/0105_0080.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748306517288272398986126286622/0105_0135-1.jpg Yonsok YI; “Only part of the left ear and eye survived.”, 2022; oil on black canvas, 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2748306517085358214175321218846/0105_0086.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748306517159145190470159425310/0105_0092-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 2 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2748306517251378910838707183390/0105_0125-1.jpg Yonsok YI; Closed Open, 2022; oil on black canvas, 101 × 81 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2748306516993124493806773460766/0105_0055.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517196038678617578528542/0105_0096-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; panel 1 of 3; oil on black canvas; 117 × 91 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2748306517232932166764997631774/0105_0121.jpg Yonsok YI; you will never learn “Only part of the left ear and eye survived.”, 2022; oil on black canvas, 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748306517214485422691288080158/0105_0107-1.jpg Yonsok YI; Rose, 2022; oil and acrylic polymer on linoleum blocks; oil and soot on hand-carved wooden panels; dimensions variable (multi-unit composition); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2748306517048464726027902115614/0105_0072.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2748306517362059375280964493086/0105_0170.jpg Yongjae Lee; 연석_5, 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2748306517435846351575802699550/0105_0216.jpg Yonsok YI; 섬전암 Fulgurite “벼락이 땅에 떨어질 때, 땅속의 모래 성분이 녹았다 다시 굳어지며 나뭇가지 모양의 줄기가 생기다.”, 2022; oil on hand-carved wood panel, 13 × 13 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2748326643184118906097097236254/tail.jpg Yonsok YI; Tail, 2022; oil on hand-carved wood, 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2748347895106117160586517929758/bsv10.jpg Yonsok YI; Tail, 2022; oil on hand-carved wood, 4 × 8 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2748352625257126029337162407710/0105_0176.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee; made of multi-layered reflective glass and angled walnut; approximating the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul, 2022; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2748352625294019517484581510942/-37.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2748363494927284486395613929246/0105_0179.jpg Yongjae Lee; 연석_6, 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2749024828909263374572374974238/0105_0061_1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 117 × 91 × 3 cm, 146 × 73 × 3 cm, 91 × 73 × 3 cm (triptych); courtesy of the artist; photo: Joseph Lee https://yonsokyi.com/눈-먼-입-eyes-far-lips,-2022 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2741814972059336696385641373470/efl19.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2741814971948656231943384063774/efl13.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2741814971911762743795964960542/efl11.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/G2741814972336037857491284647710/piano1of3.jpg Yonsok YI; Piano, 2022; panel 1 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2741814971727295303058869444382/efl1.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/S2741814972188463904901608234782/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/B2741814971708848558985159892766/easel-copy.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim; shown text: Muyeong Kim; a Featurette: Easel, 2022; a fictional text addressing Yonsok Yi’s painting, structured into three chapters (Sfumato, Tantalus, and Easel) https://freight.cargo.site/t/original/i/B2741814972040889952311931821854/efl18.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814971745742047132578995998/efl2.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/M2741814971764188791206288547614/efl3.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2741814972077783440459350925086/efl20.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/F2741814972280697625270155992862/eflns1.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2741814972022443208238222270238/efl17.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2741814972354484601564994199326/piano2of3.jpg Yonsok YI; Piano, 2022; panel 2 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814972133123672680479579934/efl23.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Q2741814972206910648975317786398/efl27.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/X2741814971893315999722255408926/efl10.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/B2741814971874869255648545857310/efl9.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Q2741814972225357393049027338014/efl28.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2741814971967102976017093615390/efl14.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2741814971856422511574836305694/efl8.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/E2741814971782635535279998099230/efl4.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/A2741814972299144369343865544478/eflns2.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/J2741814972151570416754189131550/efl24.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/M2741814972170017160827898683166/efl25.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/K2741814972114676928606770028318/efl22.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2741814972243804137122736889630/efl29.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2741814971837975767501126754078/efl7.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/K2741814971801082279353707650846/efl5.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/B2741814972317591113417575096094/piano_2022ad.jpg Yonsok YI; Piano, 2022; oil and acrylic polymer inlaid on engraved and finely sanded wooden panels, 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2741814971819529023427417202462/efl6.jpg detail; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2741814972096230184533060476702/efl21.jpg installation view; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim; shown work: Yonsok YI & Gwansoo Shin; Tensegrity, 2022; sculptural and structural concept established in the 1960s, formal articulation: Buckminster Fuller, early sculptural experiments: Kenneth Snelson; Tension and compression are separated yet interdependent, forming a system that produces overall structural stability. Compressive members do not touch one another, while tensile members (wires) maintain the structure in a state of tension. https://freight.cargo.site/t/original/i/V2741814972372931345638703750942/piano3of3.jpg Yonsok YI; Piano, 2022; panel 3 of 3; oil and acrylic polymer inlaid on engraved and finely sanded wooden panel; 25 × 100 × 4 cm (detail); courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2741814971930209487869674512158/efl12.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/P2742064171449318192005825421086/IMG_2987.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee, made of multi-layered reflective glass and angled walnut, approximating the size and weight of a human head; produced for 눈 먼 입 Eyes Far Lips, 2022; Whitenoise, Seoul, Korea; courtesy of the artists https://freight.cargo.site/t/original/i/K2748466016655077359002563895070/img20221118_13181802.jpg 이토명; 유리 이후, 2022; a poem for Eyes Far Lips 눈 먼 입, 2022; courtesy of the artist https://yonsokyi.com/ancestors,-2022 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2743499010263958916958556774174/2022_0621-17_R1.jpg Yonsok YI; Virgin and child with a pear, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/O2743499010245512172884847222558/2022_0621-16_R1.jpg Yonsok YI; Mother of Pearl, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/Z2743499010300852405105975877406/aga_2.jpg Yonsok YI; installation view of Are we being Good, Ancestors?, 2022; Mirrored Sphere, Seoul, Korea; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/N2743499010282405661032266325790/2022_0621-18_R1.jpg Yonsok YI; An Old Woman, 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://yonsokyi.com/with-white-noise,-2022 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2741748738526677952250406231838/preview_2022.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://freight.cargo.site/t/original/i/K2748887050048649629415388208926/IMG_5919.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://yonsokyi.com/house-on-glabella,-2021 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2743383227780594008987365269278/Murmur1of2_2021_2.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/C2743383227835934241208493924126/oldVessel_2021_1.jpg Yonsok YI; (old)Vessel, 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2743383227872827729355913027358/Sun_Gun_2021_1.jpg Yonsok YI; Sun Gun, 2021; oil and acrylic polymer inlaid on hand-carved wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2743383227799040753061074820894/Murmur2of2_2021_1.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/N2743383227891274473429622578974/Sun_Gun_2021_2.jpg Yonsok YI; Sun Gun, 2021; oil and acrylic polymer inlaid on hand-carved wooden panel, 530 x 410 x 27 mm; courtesy of the artist https://freight.cargo.site/t/original/i/E2743383227854380985282203475742/oldVessel_2021_2.jpg Yonsok YI; (old)Vessel, 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/N2743383227762147264913655717662/Murmur1of2_2021_1.jpg Yonsok YI; Murmur (1/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2743383227817487497134784372510/Murmur2of2_2021_2.jpg Yonsok YI; Murmur (2/2), 2021; oil and acrylic polymer inlaid on hand-carved and finely sanded wooden panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; courtesy of the artist https://yonsokyi.com/annie,-2021 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2742116210765814538852378599198/pcs_3.jpg https://freight.cargo.site/t/original/i/H2742116210692027562557540392734/annie3.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/P2742116210728921050704959495966/pcs_1.jpg https://freight.cargo.site/t/original/i/T2742116210710474306631249944350/annie4.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/M2742116210747367794778669047582/pcs_2.jpg https://freight.cargo.site/t/original/i/M2742116210784261282926088150814/pcs_info.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/R2742116210655134074410121289502/annie1.jpg Yonsok YI; A towering tree falls in the forest, just grazing their head, 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/Z2742116210673580818483830841118/annie2.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”, 2021; reference painting, scanned; courtesy of the artist https://yonsokyi.com/no-good,-2021 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2741279032439636507352746417950/nogood_4.jpg https://freight.cargo.site/t/original/i/U2741279032531870227721294176030/nogood_9.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, courtesy of the artist https://freight.cargo.site/t/original/i/B2741279032882358365121775656734/nogood.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2741279032790124644753227898654/nogood_23.jpg https://freight.cargo.site/t/original/i/E2741279032402743019205327314718/nogood_2.jpg https://freight.cargo.site/t/original/i/H2741279032808571388826937450270/nogood_24.jpg https://freight.cargo.site/t/original/i/Y2741279032697890924384680140574/nogood_18.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/M2741279032753231156605808795422/nogood_21.jpg https://freight.cargo.site/t/original/i/Q2741279032458083251426455969566/nogood_5.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, courtesy of the artist https://freight.cargo.site/t/original/i/B2741279032384296275131617763102/nogood_1.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/D2741279032863911621048066105118/nogood_27.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/I2741279032494976739573875072798/nogood_7.jpg https://freight.cargo.site/t/original/i/A2741279032550316971795003727646/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2741279032642550692163551485726/nogood_15.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2741279032679444180310970588958/nogood_17.jpg https://freight.cargo.site/t/original/i/K2741279032845464876974356553502/nogood_26.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/T2741279032513423483647584624414/nogood_8.jpg https://freight.cargo.site/t/original/i/T2741279032587210459942422830878/nogood_12.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on tracing paper, installed on a glass window with brass nails and translucent tape; courtesy of the artist https://freight.cargo.site/t/original/i/E2741279032421189763279036866334/nogood_3.jpg https://freight.cargo.site/t/original/i/Q2741279032771677900679518347038/nogood_22.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2741279032476529995500165521182/nogood_6.jpg https://freight.cargo.site/t/original/i/P2741279032716337668458389692190/nogood_19.jpg https://freight.cargo.site/t/original/i/B2741279032624103948089841934110/nogood_14.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/T2741279032660997436237261037342/nogood_16.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper, installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/C2741279032568763715868713279262/nogood_11.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/Z2741279032827018132900647001886/nogood_25.jpg https://freight.cargo.site/t/original/i/Z2741279032605657204016132382494/nogood_13.jpg Yonsok YI; I solemnly swear I am up to no good, 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://yonsokyi.com/vera-verto,-2020 2026-04-01T07:35:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2743366625489566741506396249886/Cormac_McCarthy_THE_COUNSELOR_p12-13_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p12–13,_Picador,_2013 https://freight.cargo.site/t/original/i/K2743366625655587438169782214430/vv4.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/M2743366625508013485580105801502/Cormac_McCarthy_THE_COUNSELOR_p14-15_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p14–15,_Picador,_2013 https://freight.cargo.site/t/original/i/D2743366625637140694096072662814/vv3.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/W2743366625618693950022363111198/vv2.jpg Yonsok YI; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/E2743366625471119997432686698270/asscher.jpg Yonsok YI; “No. It’s an Asscher. Look at the corners.”, 2019; Korea National University of Arts, Seoul, Korea, 2019; courtesy of the artist; photo: Jipil Jung https://freight.cargo.site/t/original/i/R2743366625526460229653815353118/Cormac_McCarthy_THE_COUNSELOR_p16-17_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p16–17,_Picador,_2013 https://freight.cargo.site/t/original/i/D2743366625600247205948653559582/vv1.png Yonsok YI; “En este mundo nada es perfecto. As my father would say.”, 2019; oil on canvas, 145 × 258.9 cm; with “The culet seems big.”, 2019; oil on canvas, 30 × 30 cm; “The crown and pavilion don’t fit.”, 2019; oil on canvas, 54.2 × 34.2 cm; “The girdle comes out crooked.”, 2019; oil on canvas, 30 × 30 cm; installation view, Vera Verto, 2020, Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/R2743366625544906973727524904734/Cormac_McCarthy_THE_COUNSELOR_p18-19_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p18–19,_Picador,_2013 https://freight.cargo.site/t/original/i/C2743366625563353717801234456350/Cormac_McCarthy_THE_COUNSELOR_p20-21_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p20–21,_Picador,_201 https://yonsokyi.com/index 2026-04-04T08:26:22+00:00 always 0.5 https://yonsokyi.com/intent 2026-04-04T08:26:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2743960654275289923391521021726/SDIM6627.JPG https://freight.cargo.site/t/original/i/M2743964988061108880345029926686/B.jpg https://yonsokyi.com/intent-1 2026-04-01T07:35:32+00:00 always 0.5 https://yonsokyi.com/eyes-far-lips 2026-04-04T08:32:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2748504409217881928112507969310/efl-copy.jpg <a href="눈-먼-입-eyes-far-lips,-2022" rel="history">눈 먼 입 Eyes Far Lips, 2022</a> https://freight.cargo.site/t/original/i/J2748504409236328672186217520926/efla2-copy.jpg <a href="eyes-far-lips-act-2,-2023" rel="history">Eyes Far Lips Act.2, 2023</a> https://freight.cargo.site/t/original/i/R2748504409199435184038798417694/amb-copy.jpg <a href="ambassadors,-2023" rel="history">Ambassadors, 2023</a> https://freight.cargo.site/t/original/i/K2748504409254775416259927072542/efla2s2-copy.jpg <a href="eyes-far-lips-act-2-scene-2,-2023" rel="history">Eyes Far Lips Act.2 Scene.2, 2023</a> https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg <a href="눈-먼-입-eyes-far-lips,-2022" rel="history">눈 먼 입 Eyes Far Lips, 2022</a> https://yonsokyi.com/a-late-night-special 2026-04-04T08:32:00+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder, 2021; digital scan (TIFF file), from the a Late Niht Special series; courtesy of the artist https://yonsokyi.com/painting 2026-04-04T08:32:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://yonsokyi.com/room 2026-04-04T08:32:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png ⒞ Yokohama Noh Theater https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Noh Theater https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg https://freight.cargo.site/t/original/i/S2748735448784447036659441852190/all-the-money_vermeer.jpg All the Money in the World, dir. Ridely Scott, 2017; “ransom, Johannes Vermeer” https://freight.cargo.site/t/original/i/J2748735448766000292585732300574/all-the-money_durer.jpg All the Money in the World, dir. Ridely Scott, 2017; “ransom, Albrecht Dürer” https://freight.cargo.site/t/original/i/A2748736470309793606473281691422/kitty_amb_2023_room.jpg https://freight.cargo.site/t/original/i/S2748736470272900118325862588190/kevo_wip.mp4 https://freight.cargo.site/t/original/i/V2748736470291346862399572139806/kitty_2023.jpg https://freight.cargo.site/t/original/i/D2748736840646627630266239934238/dress_amb_2023_kitty1.jpg https://freight.cargo.site/t/original/i/H2748736840609734142118820831006/dress_amb_2023_jibin1.jpg https://freight.cargo.site/t/original/i/O2748736840665074374339949485854/dress_amb_2023_kitty2.jpg https://freight.cargo.site/t/original/i/W2748736989364278352512645062430/amb_rh4.mp4 https://freight.cargo.site/t/original/i/S2748736989382725096586354614046/amb_rh5.mp4 https://freight.cargo.site/t/original/i/U2748736989401171840660064165662/amb_rh6.mp4 https://freight.cargo.site/t/original/i/L2748736989327384864365225959198/amb_rh2-2.mp4 https://freight.cargo.site/t/original/i/N2748736989290491376217806855966/amb_rh1.mp4 https://freight.cargo.site/t/original/i/T2748736989308938120291516407582/amb_rh2-1.mp4 https://freight.cargo.site/t/original/i/V2748736989345831608438935510814/amb_rh3.mp4 https://freight.cargo.site/t/original/i/J2748737322973644925549886037790/IMG_3226.jpg https://freight.cargo.site/t/original/i/R2748737322918304693328757382942/IMG_3172.jpg 보광동 studio, Seoul ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Z2748737323010538413697305141022/IMG_7096.jpg https://freight.cargo.site/t/original/i/F2748737322899857949255047831326/IMG_3167.jpg https://freight.cargo.site/t/original/i/J2748737322789177484812790521630/IMG_0630.jpg https://freight.cargo.site/t/original/i/E2748737322807624228886500073246/IMG_0631.jpg https://freight.cargo.site/t/original/i/C2748737323065878645918433795870/.jpg “고통은 의복” The Handmaiden, dir. Park Chan-wook, 2016 https://freight.cargo.site/t/original/i/D2748737323047431901844724244254/IMG_8142.jpg https://freight.cargo.site/t/original/i/F2748737322936751437402466934558/IMG_3201.jpg https://freight.cargo.site/t/original/i/D2748737322862964461107628728094/IMG_2345.jpg https://freight.cargo.site/t/original/i/L2748737322955198181476176486174/IMG_3223.jpg https://freight.cargo.site/t/original/i/I2748737322881411205181338279710/IMG_2986.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary by Yongjae Lee; made of multi-layered reflective glass and angled walnut; approximating the size and weight of a human head; produced for Eyes Far Lips, 2022; courtesy of the artists https://freight.cargo.site/t/original/i/G2748737322844517717033919176478/IMG_0633.jpg https://freight.cargo.site/t/original/i/Z2748737322826070972960209624862/IMG_0632.jpg https://freight.cargo.site/t/original/i/N2748737323028985157771014692638/IMG_7100.jpg https://freight.cargo.site/t/original/i/H2748737322992091669623595589406/IMG_5506.jpg Yonsok YI; Finale, 2021; corrugated cardboard and toothpicks; courtesy of the artist https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Q2748776837116935920274277916446/goodnight.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/W2748776837153829408421697019678/IMG_3547.jpg ⒞ Yonsok YI, 2024. https://freight.cargo.site/t/original/i/Y2748845604475913885079813480222/SDIM6628.jpg 보광동 studio, Seoul ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/R2748845604494360629153523031838/SDIM6630.jpg https://freight.cargo.site/t/original/i/Z2748845604457467141006103928606/SDIM6627.jpg https://freight.cargo.site/t/original/i/P2748845604439020396932394376990/SDIM6619.jpg https://freight.cargo.site/t/original/i/U2748869651116532794713723100958/Screenshot-2023-07-14-at-15.45.22.jpg https://freight.cargo.site/t/original/i/X2748869651134979538787432652574/Screenshot-2023-07-14-at-15.45.25.jpg https://freight.cargo.site/t/original/i/A2748869651171873026934851755806/Screenshot-2023-07-14-at-15.45.28.jpg https://freight.cargo.site/t/original/i/A2748869651061192562492594446110/Screenshot-2023-07-14-at-15.45.10.jpg https://freight.cargo.site/t/original/i/I2748878523096541789396282367774/30.JPG https://freight.cargo.site/t/original/i/X2748887050067096373489097760542/______.jpg ⒞ Felice Beato, 1871. https://freight.cargo.site/t/original/i/K2748887050048649629415388208926/IMG_5919.jpg https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg https://freight.cargo.site/t/original/i/H2748887049993309397194259554078/27-1.jpg https://freight.cargo.site/t/original/i/X2748887050011756141267969105694/27.jpg https://freight.cargo.site/t/original/i/N2748931144684514822884832304926/1871sujagi.jpg https://yonsokyi.com/info-pack 2026-04-01T18:45:54+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2740759057185660028777106497310/yee.png ⒞ Muyeong Kim, 2021.