https://yonsokyi.com/nav 2026-04-11T05:16:59+00:00 always 0.5 https://yonsokyi.com 2026-04-11T05:27:44+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2745073891945007041588963827486/kagami-ita-amb.jpg https://yonsokyi.com/nav-copy 2026-04-11T05:26:36+00:00 always 0.5 https://yonsokyi.com/published-work 2026-04-11T05:30:29+00:00 always 0.5 https://freight.cargo.site/t/original/i/K2744999502553390988249672703774/SDIM2368.jpg ⒞ Yonsok YI, 2017. https://freight.cargo.site/t/original/i/Z2745072750073102134894009245470/kagami-ita-amb.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2748549486474910439942347546398/gwansoo.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/N2748736989290491376217806855966/amb_rh1.mp4 https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg ⒞ Yonsok YI, 2022. https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/S2867542627232267548931638681374/0228_shower_0059-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627269161037079057784606/0228_shower_0071-copy.jpg Yonsok YI; Little Effie’s Head; 2026; colored pencil on canvas; oil on black canvas; 30 × 40 cm each (2 canvases); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867542627158480572636800474910/0228_shower_0006-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867542627195374060784219578142/0228_shower_0030-copy.jpg Yonsok YI; Grand emotions unrelated to mundane lives; 2026; acrylic mirror, plywood, screws, washers; 244 × 122 cm each (7 panels); courtesy of the artist and Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867542627250714293005348232990/0228_shower_0066-copy.jpg installation view; No More Play III; 2026; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867561623597080934659345080094/DSC06349.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Q2867561623560187446511925976862/DSC05382.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Y2867561623670867910954183286558/L1001959.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/C2867561623578634190585635528478/DSC05394.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/J2867561623689314655027892838174/L1001999.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/V2867561623615527678733054631710/L1001927.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/Z2867561623707761399101602389790/L1002002.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/M2867565596380118369116928859934/L1002004.jpg Yonsok YI; Scenography for the Gardener; 2025; scenography for “실습 교생 정원사” (performance by Tomyeong Lee); Ewha Womans University Emerson Chapel, Seoul, Korea; courtesy of the artists; photo: Terri Kim https://freight.cargo.site/t/original/i/N2867599114999544014910273609502/R2517_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer, and phosphorescent pigment on wood panel; 14 × 14 × 2.7 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114833523318246887644958/250719_39_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/G2867599115036437503057692712734/Wedding_Chest_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/T2867599114944203782689144954654/ita.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867599114925757038615435403038/img20211127_18115591.jpg Yonsok YI; Bonds with Blots; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114981097270836564057886/R2516_1.jpg Yonsok YI; R2517; 2023, 2025; oil, acrylic polymer, and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (× 4), 14 × 14 × 4.2 cm (× 2), 14 × 14 × 2.7 cm (× 1) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867599114907310294541725851422/Fulgurite_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/D2867599115091777735278821367582/_2023.jpg Yonsok YI; 함 Korean Wedding Chest; 2023; oil, acrylic polymer, and phosphorescent pigment on wood panel; 20 × 20 × 4.2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/Y2867599114796629830099468541726/250719_13_1.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599114851970062320597196574/250719_59_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/B2867599115073330991205111815966/_2022.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/V2867599114888863550468016299806/Bonds_with_Blots_2021.jpg Yonsok YI; Gilded Script (Bonds with Blots); 2021; oil on paper, wood panel, brass nails, and acrylic polymer; 23 × 16 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867599114962650526762854506270/kagami.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867599115017990758983983161118/Tongue_2022.jpg Yonsok YI; Reciter’s Tongue; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2.7 cm; installation view, Eyes Far Lips Act.2, 2023; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/K2867599114870416806394306748190/250719_61_1.jpg installation view; Rooms of Convergence; 2025; Shower, Seoul, Korea; group exhibition; courtesy of Shower; photo: Ian Yang https://freight.cargo.site/t/original/i/H2867599115054884247131402264350/_2025.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867678899455059073860997209886/250719_12.jpg installation view; Rooms of Convergence; 2025; Whistle, Seoul, Korea; group exhibition; courtesy of Whistle; photo: Ian Yang https://freight.cargo.site/t/original/i/X2867764397014787713249532698398/Tobias.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867764396793426784365018079006/R2505.jpg Yonsok YI; R2505 (꿈은 글에서 태어나지 않았고); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 14 × 14 × 4.2 cm (×1) (4 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867764396645852831775341666078/0603_yonsok_0154-1.jpg Yonsok YI; R2508 (거짓말); 2021, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396811873528438727630622/R2506.jpg Yonsok YI; R2506 (이 세상에 동양은 없다); 2021, 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm; oil and acrylic polymer on canvas; 28 × 28 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396664299575849051217694/Angel.jpg Yonsok YI; Tobias and the Angel; 2025; oil on black canvas, 30.3 × 30.3 × 4 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2867764396904107248807275388702/R2512.jpg Yonsok YI; R2512 (나르는 도둑들); 2023, 2025; oil, acrylic polymer, ceramic powder and phosphorescent pigment on wood panel; 14 × 14 × 4.2 cm (×1), 14 × 14 × 2.7 cm (×4); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867764396756533296217598975774/R2503.jpg Yonsok YI; R2503 (나르는 도둑들); 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×2) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867764396719639808070179872542/R2501.jpg Yonsok YI; R2501 (음악이 현악기 속에 있지 않듯이); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm (×1), 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×2), 21 × 21 × 4.2 cm (×2) (7 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396774980040291308527390/R2504.jpg Yonsok YI; R2504 (나르는 도둑들); 2022, 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 28 × 28 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×1), 14 × 14 × 4.2 cm (×3) (6 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2867764396977894225102113595166/Tobias-and-the-Angel_Hotel.jpg Yonsok YI; Tobias and the Angel (overpainted on Hotel); 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764397051681201396951801630/.jpg Yonsok YI; 거울판 Kagami-ita; 2025; oil on black canvas; 73.5 × 91.5 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764396682746319922760769310/liste_1.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; with Kyungtae Kim (presented by Whistle); courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/X2867764396885660504733565837086/R2511.jpg Yonsok YI; R2511 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/U2867764396922553992880984940318/R2513.jpg Yonsok YI; R2513 (나르는 도둑들); 2022, 2025; oil, acrylic polymer and phosphorescent pigment on wood panel; 28 × 28 × 4.2 cm (×1), 19.7 × 19.7 × 1.9 cm (×1), 14 × 14 × 2.7 cm (×2), 14 × 14 × 1.9 cm (×1) (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867764397033234457323242250014/Tobit.jpg Yonsok YI; The Blindness of Tobit; 2025; oil on paper, wood panel, brass nails, acrylic polymer; 27.5 × 22 × 2.7 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396867213760659856285470/R2510.jpg Yonsok YI; R2510 (저녁에 이르기 위해서); 2022, 2025; oil and acrylic polymer on wood panel; 28 × 28 × 4.2 cm each (5 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867764396959447481028404043550/R2515.jpg Yonsok YI; R2515 (Usurer); 2025; oil and acrylic polymer on wood panel; 18 × 25.8 × 2.6 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Y2867764396941000736954694491934/R2514.jpg Yonsok YI; R2514; 2025; oil and acrylic polymer on wood panel; 21 × 29.8 × 2.5 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2867764396701193063996470320926/liste_2.jpg installation view; In the Living Room; 2025; Liste Art Fair Basel, Messe Basel, Hall 1.1, Booth 48, Basel, Switzerland; presented by Shower; courtesy of Shower and Whistle; photo: Jinhyuk Oh https://freight.cargo.site/t/original/i/S2867764396738086552143889424158/R2502.jpg Yonsok YI; R2502 (우리는 새들의 발에서 서체를 훔쳤다); 2025; oil and acrylic polymer on wood panel; 35 × 35 × 4.2 cm (×1), 21 × 21 × 4.2 cm (×3), 14 × 14 × 4.2 cm (×3), 14 × 14 × 2.7 cm (×3) (10 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867764396830320272512437182238/R2507.jpg Yonsok YI; R2507 (중국의 새들); 2025; oil and acrylic polymer on wood panel; 42.3 × 42.3 × 4.2 cm each (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867764396996340969175823146782/Tobias_and_the_Angel_Sfumato.jpg Yonsok YI; Tobias and the Angel (overpainted on Sfumato); 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867764396848767016586146733854/R2509.jpg Yonsok YI; R2509; 2022, 2024; lime-based medium, oil, and blue ceramic pigment on wood panel; 21 × 21 × 2.7 cm (×1), 15 × 15 × 4.2 cm (×1) (2 panels); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2867952180552919963236948500254/19_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180257772058057595674398/7.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/K2867952180128644849541628813086/4.jpg Yonsok YI; Bathroom; 2025; oil, acrylic polymer, ceramic powder, and phosphorescent pigment on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180442239498794691190558/14.jpg Yonsok YI; Summary of a November Morning; 2025; oil on black canvas; 41.5 × 24.5 cm each (4 canvases); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867952180589813451384367603486/20.jpg Yonsok YI; Hotel; 2025; oil on black canvas; 100.5 × 80 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180350005778426143432478/12_1.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2017, 2025; oil on polyester canvas, wood panel, acrylic polymer, and brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180110198105467919261470/3.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2867952180147091593615338364702/5_1.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180460686242868400742174/15.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180479132986942110293790/16_1.jpg Yonsok YI; Mirror; 2025; oil on black canvas; 61 × 91.5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180423792754720981638942/13.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180331559034352433880862/11.jpg Yonsok YI; Sfumato; 2025; oil on black canvas; 97 × 97 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2867952180405346010647272087326/13_2.jpg Yonsok YI; Tantalus; 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180202431825836467019550/6_1.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180220878569910176571166/6_2.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2867952180313112290278724329246/10.jpg Yonsok YI; Easel; 2021; oil, copper powder, and acrylic polymer on corrugated polypropylene sheet; framed; 28 × 23 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180294665546205014777630/9.jpg Yonsok YI; Picture Plane (The Richter Candle, tri); 2025; oil on black canvas; 41 × 40.2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2867952180516026475089529397022/18_1.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/E2867952180183985081762757467934/5.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2867952180239325313983886122782/6.jpg Yonsok YI; “Often, it is the surviving story which is decisively less important.”; 2025; oil on black canvas; 130.3 × 162 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867952180368452522499852984094/12_2.jpg Yonsok YI; 사람 머리 새 Human-Faced Bird; 2017, 2025; oil on polyester canvas, wood panel, acrylic polymer, and brass nails; 30 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2867952180534473219163238948638/18_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180276218802131305226014/8.jpg Yonsok YI; Picture Plane (The Richter Candle, sq); 2025; oil on black canvas; 20 × 20 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2867952180626706939531786706718/dog_ns_yonsokyi.jpg Yonsok YI; The Dog; 2022; oil and acrylic polymer on wood panel; 41 × 52.7 × 3 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2867952180571366707310658051870/19_2.jpg Yonsok YI; Flying Thief; 2025; oil on black canvas; 25 × 25 cm (1 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2867952180386899266573562535710/13_1.jpg Yonsok YI; G; 2025; oil on black canvas; 25 × 25 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2867952180165538337689047916318/5_2.jpg Yonsok YI; Cream & Lotion; 2025; oil and acrylic polymer on wood panel; 10 × 10 × 2.5 cm (2 of 2); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867952180608260195458077155102/21.jpg Yonsok YI; Clock; 2025; oil on black canvas, 31 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2867956163776814543414138494750/0212_0085.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2867956163721474311193009839902/0212_0045.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2867956163684580823045590736670/0212_0031.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2867956163758367799340428943134/0212_0057.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/N2867956163739921055266719391518/0212_0053.jpg installation view; Everyone Else Is Asleep; 2025; Shower, Seoul, Korea; courtesy of Shower; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868019289069990355637345443614/2.jpg Yonsok YI; Object So Foreign; 2024; lime-based medium, oil, and blue ceramic pigment on wood panel; 15 × 15 × 4.2 cm; courtesy of the artist; photo: Bio Gallery https://freight.cargo.site/t/original/i/M2868019289180670820079602753310/3.jpg installation view; 터 Teo; 2025; Bio Gallery, Seoul, Korea; courtesy of Bio Gallery https://freight.cargo.site/t/original/i/M2868020958943050884120795930398/snumoa2.jpg Yonsok YI; Composition for Lee, 2024; from Relic series (2021, 2023); oil, acrylic polymer and phosphorescent pigment on wood panel, PVC; variable dimensions; courtesy of the artist; photo: Ku and Park https://freight.cargo.site/t/original/i/J2868020958832370419678538620702/snumoa1.jpg Yongjae Lee & Yonsok YI, 여러 그림의 나열; installation view; Lost and Found, 2024; Seoul National University Museum of Art, Seoul, Korea; courtesy of the artists; photo: Ku and Park https://freight.cargo.site/t/original/i/I2868049653222392420802525650718/prv_Shower.jpg installation view; works by Simon Shim-Sutcliffe & Yonsok YI; courtesy of Shower https://freight.cargo.site/t/original/i/B2868056252083916188551877484318/0509_0127-17.jpg Yonsok YI; Disloyalty Production Intro 7/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Q2868056252194596652994134794014/N0026090.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/J2868056252231490141141553897246/sook2.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/U2868056252065469444478167932702/0509_0127-16.jpg Yonsok YI; Disloyalty Production Intro 6/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056251991682468183329726238/0509_0127-12.jpg Yonsok YI; Disloyalty Production Intro 2/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868056252157703164846715690782/20240608-000031.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/U2868056252102362932625587035934/0509_0127-18.jpg Yonsok YI; Disloyalty Production Intro 8/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868056251844108515593653313310/0509_0055.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868056251954788980035910623006/0509_0077.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868056252120809676699296587550/0509_0127-19.jpg Yonsok YI; Disloyalty Production Intro 9/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868056252010129212257039277854/0509_0127-13.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/V2868056252176149908920425242398/N0026029.jpg boma pak; fldjf-Pre-Cartier-Crystals (leaning on Yi, Lee, Park); 2024; oil, oil pastel, marker, glitter powder, rhinestone, glue on black canvas; nail, digital image, QR code, digital print, yarn, adhesive tape, variable dimensions; courtesy of the artist; photo: Hong Sohyun https://freight.cargo.site/t/original/i/W2868056252047022700404458381086/0509_0127-15.jpg Yonsok YI; Disloyalty Production Intro 5/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868056251936342235962201071390/0509_0065.jpg installation view; works by boma pak & Yonsok YI; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868056252139256420773006139166/0509_0309.jpg Yonsok YI; Disloyalty Production Intro 3/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/F2868056252213043397067844345630/sook2_cartier.jpg Yonsok YI; Hyangsook holding a painting (Cartier); 2024; photograph digitally composited with Cartier logo; courtesy of the artist https://freight.cargo.site/t/original/i/X2868056252028575956330748829470/0509_0127-14.jpg Yonsok YI; Disloyalty Production Intro 4/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/B2868056251973235724109620174622/0509_0127-1.jpg Yonsok YI; Disloyalty Production Intro 1/9; 2024; oil on black canvas; 60 × 60 × 12 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868080735838582668807322197790/2.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/X2868080735857029412881031749406/3.jpg ⒞ Shower, 2023. https://freight.cargo.site/t/original/i/P2868080735875476156954741301022/4.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/F2868084809562203674603572420382/1.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 유경하 https://freight.cargo.site/t/original/i/U2868084809728224371266958384926/5.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/V2868084809691330883119539281694/3.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/N2868084809709777627193248833310/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/C2868084809672884139045829730078/2.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2); 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/Q2868102302185333659676050186014/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/M2868102302296014124118307495710/pack.jpg Yonsok YI; 섬전암 Fulgurite; 2022; oil and acrylic polymer on wood panel; 14 × 14 × 2 cm; courtesy of the artist https://freight.cargo.site/t/original/i/J2868115577532280257344547053342/amb10.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868115577421599792902289743646/amb3.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577476940025123418398494/amb7.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868115577495386769197127950110/amb8.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868115577661407465860513914654/reciter.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868115577403153048828580192030/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868115577606067233639385259806/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868115577513833513270837501726/amb9.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/T2868115577458493281049708846878/amb5.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868115577440046536975999295262/amb4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868115577624513977713094811422/jibin.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2868115577642960721786804363038/noma.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577292472584386322882334/amb1.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2868115577550727001418256604958/hanjoo.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868120494253658687593596575518/suginami.jpg ⒞ Suginami Nohgakudo https://freight.cargo.site/t/original/i/Y2868120494401232640183272988446/yokohama_noh.jpg https://freight.cargo.site/t/original/i/F2868120494382785896109563436830/Ushio-Shrine.jpg ⒞ Ushio Shrine https://freight.cargo.site/t/original/i/P2868120494419679384256982540062/yokohama_noht.jpg ⒞ Yokohama Nohgakudo https://freight.cargo.site/t/original/i/X2868137703018290866423494074142/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868137703036737610497203625758/efla2_2023_3.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703073631098644622728990/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Tantalus, 2022, 2023; text engraving on cowhide; each 225 × 143 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/T2868137703424119236045104209694/efla2_2023_24.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702852270169760108109598/ambassadors.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703239651795308008693534/efla2_2023_14.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703110524586792041832222/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703092077842718332280606/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Easel, 2022, 2023; text engraving on lambskin; each 230 × 162 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703516352956413651967774/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868137703368779003823975554846/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial tunic in the form of a cross; 2023; wool, cotton, linen, interfaced in silk organza; approx. 240 × 240 cm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703055184354570913177374/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Sfumato, 2022, 2023; text engraving on cowhide; each 210 × 170 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703147418074939460935454/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Z2868137702999844122349784522526/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703405672491971394658078/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial robe of rectangular construction; 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703479459468266232864542/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703497906212339942416158/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 160 × 160 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703461012724192523312926/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703331885515676556451614/efla2_2023_19.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2868137703128971330865751383838/efla2_2023_8.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703165864819013170487070/efla2_2023_10.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868137703313438771602846899998/efla2_2023_18.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703387225747897685106462/efla2_2023_22.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703258098539381718245150/efla2_2023_15.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868137703350332259750266003230/efla2_2023_20.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703276545283455427796766/efla2_2023_16.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/U2868137703221205051234299141918/efla2_2023_13.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868137703202758307160589590302/efla2_2023_12.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; The Ambassadors, 2023; oil on linen; each 25 × 25 cm courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/P2868137703294992027529137348382/efla2_2023_17.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 150 × 140 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868137703442565980118813761310/efla2_2023_25.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137702981397378276074970910/efl_2022.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; detail; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868137703184311563086880038686/efla2_2023_11.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/F2868168702292091389408536420126/yon_ROC9328_2.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/J2868168702273644645334826868510/yon_ROC9319_3.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/C2868168702052283716450312249118/yon_ROC9187_4.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/K2868168702310538133482245971742/yon_ROC9334_1.jpg Yonsok YI; installation view, Framer, 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 이의록 https://freight.cargo.site/t/original/i/Z2868182076181544828833458020126/0105_0212.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182075960183899948943400734/0105_0092-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 146 × 73 × 3 cm (2 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/M2868182076107757852538619813662/0105_0174-2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; detail; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182076126204596612329365278/0105_0176.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips, Whitenoise, Seoul; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182075904843667727814745886/0105_0080.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076015524132170072055582/0105_0121.jpg Yonsok YI; you will never learn “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182075941737155875233849118/0105_0089-1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 91 × 73 × 3 cm (1 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/P2868182075886396923654105194270/0105_0072.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076089311108464910262046/0105_0170.jpg Yongjae Lee; 연석_5; 2022; oil on linen, 15 × 15 × cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868182076033970876243781607198/0105_0125-1.jpg Yonsok YI; Closed Open; 2022; oil on black canvas; 101 × 81 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/W2868182075867950179580395642654/0105_0061_2.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182075849503435506686091038/0105_0061_1.jpg Yonsok YI; 운룡도 雲龍圖; 2022; oil on black canvas; 117 × 91 × 3 cm, 146 × 73 × 3 cm, 91 × 73 × 3 cm (triptych); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/G2868182076070864364391200710430/0105_0145-1.jpg Yonsok YI; Opened Colse; 2022; oil on black canvas; 33 × 53 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/D2868182075609695762548461920030/0105_0055.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2868182076273778549202005778206/.jpg Yonsok YI; 함 函, 2021/2022; oil on black canvas, oil on paper, oil on wood, variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/R2868182076218438316980877123358/Century.jpg Yonsok YI; Century; 2022; oil on canvas, 20 × 20 × 6 cm (×2), 20 × 40 × 6 cm (×1); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868182076236885061054586674974/Tail_1.jpg Yonsok YI; Tail; 2022; oil on wood; 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/X2868182075923290411801524297502/0105_0086.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View, 2023; installation view, YK Presents, Seoul, Korea; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/O2868182075978630644022652952350/0105_0096-1.jpg Yonsok YI; 운룡도 雲龍圖, 2022; oil on black canvas; 117 × 91 × 3 cm (3 of 3); courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/L2868182076255331805128296226590/Tail_2.jpg Yonsok YI; Tail; 2022; oil on wood, 4 × 8 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2868182076052417620317491158814/0105_0135-1.jpg Yonsok YI; “Only part of the left ear and eye survived.”; 2022; oil on black canvas; 54 × 73 × 5 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/Z2868182076199991572907167571742/0105_0216.jpg Yonsok YI; 섬전암 Fulgurite “벼락이 땅에 떨어질 때, 땅속의 모래 성분이 녹았다 다시 굳어지며 나뭇가지 모양의 줄기가 생기다.”; 2022; oil on wood; 13 × 13 × 2 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/T2868182076163098084759748468510/0105_0184.jpg Yonsok YI & Yongjae Lee; 서쪽으로 넘어가는 일 Binary Sunset View;2023; courtesy of the artists; photo: Joseph Lee https://freight.cargo.site/t/original/i/A2868182075997077388096362503966/0105_0107-1.jpg Yonsok YI; Rose; 2022; oil and acrylic polymer on linoleum block; oil and soot on wood panel; variable dimensions; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/C2868198301697824390796835282718/img20231017_22004815.jpg Yonsok YI; 섬전암 Fulgurite; 2022; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/E2868202689846198132972392800030/efl23.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202690086005805930616971038/piano2of3.jpg Yonsok YI; Piano (panel 2 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868202689864644877046102351646/efl24.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/X2868202689883091621119811903262/efl25.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202690104452550004326522654/piano3of3.jpg Yonsok YI; Piano (panel 3 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868202689495709995571911319326/efl4.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/G2868202690030665573709488316190/IMG_2987.jpg Yonsok YI & Yongjae Lee; Two frames for Two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips; courtesy of the artists; photo: Yonsok YI https://freight.cargo.site/t/original/i/T2868202689993772085562069212958/eflns1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/N2868202689753964412603845041950/efl18.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/P2868202689514156739645620870942/efl5.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/L2868202690067559061856907419422/piano1of3.jpg Yonsok YI; Piano (panel 1 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868202689532603483719330422558/efl6.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868202689477263251498201767710/efl3.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/O2868202689790857900751264145182/efl20.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/H2868202689551050227793039974174/efl7.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/J2868202689440369763350782664478/efl1.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/M2868202689569496971866749525790/efl8.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/I2868202689606390460014168629022/efl10.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/N2868202690049112317783197867806/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/H2868202689680177436309006835486/efl14.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689587943715940459077406/efl9.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/D2868202689919985109267231006494/efl27.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/A2868202689735517668530135490334/efl17.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2868202690012218829635778764574/eflns2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/B2868202689772411156677554593566/efl19.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689458816507424492216094/efl2.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868202689255902322613687148318/easel-copy.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868202689809304644824973696798/efl21.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/R2868202689624837204087878180638/efl11.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/O2868202689956878597414650109726/efl29.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868202689643283948161587732254/efl12.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/E2868202689661730692235297283870/efl13.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689938431853340940558110/efl28.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/M2868202689901538365193521454878/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/Z2868233074751187281060818575134/2022_0621-18_R1.jpg Yonsok YI; An Old Woman; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/Z2868233074788080769208237678366/aga_2.jpg Yonsok YI; installation view, Are we being Good, Ancestors?, 2022; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/B2868233074511379608102594404126/2022_0621-16_R1.jpg Yonsok YI; Mother of Pearl; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/T2868233074732740536987109023518/2022_0621-17_R1.jpg Yonsok YI; Virgin and child with a pear; 2022; oil on black canvas, 100F; courtesy of the artist; photo: Ian Yang https://freight.cargo.site/t/original/i/D2868239708347930139605256101662/prv_wn.jpg Yonsok YI; installation view; courtesy of the artist; photo: White Noise https://freight.cargo.site/t/original/i/L2868244227652654245855725608734/Murmur2of2_2021_1.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227689547734003144711966/old_Vessel_2021_1.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/U2868244227726441222150563815198/Sun_Gun_2021_1.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868244227634207501782016057118/Murmur1of2_2021_2.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist https://freight.cargo.site/t/original/i/U2868244227228379132160405921566/Murmur1of2_2021_1.jpg Yonsok YI; Murmur (1 of 2); 2021; oil and acrylic polymer on wood panel; 270 x 270 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/E2868244227671100989929435160350/Murmur2of2_2021_2.jpg Yonsok YI; Murmur (2 of 2); 2021; oil and acrylic polymer on wood panel, 305 x 152 x 50 mm; courtesy of the artist https://freight.cargo.site/t/original/i/V2868244227744887966224273366814/Sun_Gun_2021_2.jpg Yonsok YI; Sun Gun; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; installation view, 미간 위 집 House On Glabella, 2021; Museumhead, Seoul, Korea; courtesy of the artist; https://freight.cargo.site/t/original/i/H2868244227707994478076854263582/old_Vessel_2021_2.jpg Yonsok YI; (old)Vessel; 2021; oil and acrylic polymer on wood panel; 530 x 410 x 27 mm; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/P2868248423401487299240659771166/pcs_3.jpg ⒞ Perform Collection System, 2021. https://freight.cargo.site/t/original/i/L2868248423050999161840178290462/annie1.jpg Yonsok YI; A towering tree falls in the forest, just grazing their head; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/U2868248423327700322945821564702/annie3.jpg https://freight.cargo.site/t/original/i/D2868248423364593811093240667934/pcs_1.jpg https://freight.cargo.site/t/original/i/W2868248423346147067019531116318/annie4.jpg Yonsok YI; “So, Annie, are you okay? Are you okay, Annie?”; 2021; reference painting, scanned; courtesy of the artist https://freight.cargo.site/t/original/i/C2868248423383040555166950219550/pcs_2.jpg https://freight.cargo.site/t/original/i/T2868248423309253578872112013086/annie2.jpg https://freight.cargo.site/t/original/i/Q2868258503311191728572077956894/nogood_23.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503292744984498368405278/nogood_22.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503089830799687563337502/nogood_11.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503255851496350949302046/nogood_20.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/K2868258503200511264129820647198/nogood_17.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502923810103024177372958/nogood_2.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503052937311540144234270/nogood_9.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503108277543761272889118/nogood_12.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on tracing paper; installed on a glass window with brass nails and translucent tape; courtesy of the artist https://freight.cargo.site/t/original/i/J2868258502979150335245306027806/nogood_5.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/N2868258503237404752277239750430/nogood_19.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/O2868258503366531960793206611742/nogood_26.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503348085216719497060126/nogood_25.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Y2868258503329638472645787508510/nogood_24.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503163617775982401543966/nogood_15.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/U2868258503145171031908691992350/nogood_14.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502942256847097886924574/nogood_3.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/C2868258503071384055613853785886/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503384978704866916163358/nogood_27.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/Z2868258502665555685992243650334/nogood_1.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/R2868258502960703591171596476190/nogood_4.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/D2868258503403425448940625714974/nogood.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503016043823392725131038/nogood_7.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/P2868258503126724287834982440734/nogood_13.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258502997597079319015579422/nogood_6.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503274298240424658853662/nogood_21.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/B2868258503182064520056111095582/nogood_16.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/W2868258503034490567466434682654/nogood_8.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; courtesy of the artist https://freight.cargo.site/t/original/i/G2868258503218958008203530198814/nogood_18.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/D2868273852238192907857562427166/Cormac_McCarthy_THE_COUNSELOR_p12-13_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p12–13,_Picador,_2013 https://freight.cargo.site/t/original/i/A2868273852404213604520948391710/vv4.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/C2868273852311979884152400633630/Cormac_McCarthy_THE_COUNSELOR_p20-21_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p20–21,_Picador,_2013 https://freight.cargo.site/t/original/i/N2868273852293533140078691082014/Cormac_McCarthy_THE_COUNSELOR_p18-19_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p18–19,_Picador,_2013 https://freight.cargo.site/t/original/i/M2868273851961491746751919152926/asscher.jpg Yonsok YI; “No. It’s an Asscher. Look at the corners.”; 2019; Korea National University of Arts, Seoul, Korea; courtesy of the artist; photo: Jipil Jung https://freight.cargo.site/t/original/i/O2868273852367320116373529288478/vv2.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/I2868273852275086396004981530398/Cormac_McCarthy_THE_COUNSELOR_p16-17_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p16–17,_Picador,_2013 https://freight.cargo.site/t/original/i/V2868273852330426628226110185246/installation_view_Vera_Verto_2020_5.jpg Yonsok YI; “En este mundo nada es perfecto. As my father would say.”; 2019; oil on canvas; 145 × 258.9 cm; with “The culet seems big.”; 2019; oil on canvas; 30 × 30 cm; “The crown and pavilion don’t fit.”; 2019; oil on canvas; 54.2 × 34.2 cm; “The girdle comes out crooked.”; 2019; oil on canvas; 30 × 30 cm; installation view, Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/G2868273852256639651931271978782/Cormac_McCarthy_THE_COUNSELOR_p14-15_Picador_2013.jpg Cormac_McCarthy,_THE_COUNSELOR,_p14–15,_Picador,_2013 https://freight.cargo.site/t/original/i/Y2868273852348873372299819736862/vv1.jpg Yonsok YI; installation view; Vera Verto, 2020; Weekend, Seoul, Korea; courtesy of the artist; photo: Hansol Bae https://freight.cargo.site/t/original/i/Z2877911246134984513372655705886/reading.jpg Yonsok YI; Reading; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://yonsokyi.com/content 2026-04-11T05:40:26+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2743960654275289923391521021726/SDIM6627.JPG https://yonsokyi.com/content-1 2026-04-09T10:49:43+00:00 always 0.5 https://yonsokyi.com/efl 2026-04-11T05:56:59+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2741070540125438509179947704094/3.jpg https://freight.cargo.site/t/original/i/F2741070540143885253253657255710/4.jpg installation View; Eyes Far Lips Act.2 Scene.2 (as part of Eyes Far Lips Act.2), 2023; Shower, Seoul, Korea; courtesy of the artist; photo: 황아림 https://freight.cargo.site/t/original/i/S2741814972022443208238222270238/efl17.jpg https://freight.cargo.site/t/original/i/E2745016615690101888969254625054/reciter.png Reciter (Kitty) Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2), 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/G2745016615487187704158449557278/amb7.png https://freight.cargo.site/t/original/i/A2745016615413400727863611350814/amb2.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745016615505634448232159108894/amb8.png https://freight.cargo.site/t/original/i/C2745016615616314912674416418590/hanjoo4.png Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/L2745016615745442121190383279902/yokohama_noh.png https://freight.cargo.site/t/original/i/R2745016615450294216011030454046/amb4.png https://freight.cargo.site/t/original/i/D2745016615708548633042964176670/suginami.jpg ⒞ Suginami Nohgakudo https://freight.cargo.site/t/original/i/C2745016615542527936379578212126/amb10.png https://freight.cargo.site/t/original/i/H2745016615394953983789901799198/amb1.png https://freight.cargo.site/t/original/i/G2745016615763888865264092831518/yokohama_noht.jpg ⒞ Yokohama Nohgakudo https://freight.cargo.site/t/original/i/J2745016615524081192305868660510/amb9.png https://freight.cargo.site/t/original/i/O2745073891797433088999287414558/efla2_2023_22.jpg https://freight.cargo.site/t/original/i/O2745073891391604719377677279006/efl_2022.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/O2745073891815879833072996966174/efla2_2023_23.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial robe of rectangular construction; 2023; cotton poplin with silk organza interior bustle, presented on Siegel & Stock-man couture mannequin; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/R2745073891428498207525096382238/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/A2745073891410051463451386830622/efla2_2023_1.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2745073891557625416041063243550/efla2_2023_9.jpg https://freight.cargo.site/t/original/i/W2745073891778986344925577862942/efla2_2023_21.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; C. H. Lee; Ceremonial tunic in the form of a cross; 2023; wool, cotton, linen, interfaced in silk organza; approx. 240 × 240 cm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Z2745086349160407226165136973598/piano_2022ad.jpg Yonsok YI; Piano; 2022; oil and acrylic polymer on wood panel; 25 × 300 × 4 cm; triptych; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/S2748736470272900118325862588190/kevo_wip.mp4 C. H. Lee; costum for Hanjoo & Simo of Y2K92; courtesy of the artist https://freight.cargo.site/t/original/i/V2748736470291346862399572139806/kitty_2023.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/D2748736840646627630266239934238/dress_amb_2023_kitty1.jpg https://freight.cargo.site/t/original/i/H2748736840609734142118820831006/dress_amb_2023_jibin1.jpg https://freight.cargo.site/t/original/i/O2748736840665074374339949485854/dress_amb_2023_kitty2.jpg https://freight.cargo.site/t/original/i/W2748736989364278352512645062430/amb_rh4.mp4 https://freight.cargo.site/t/original/i/S2748736989382725096586354614046/amb_rh5.mp4 https://freight.cargo.site/t/original/i/U2748736989401171840660064165662/amb_rh6.mp4 https://freight.cargo.site/t/original/i/L2748736989327384864365225959198/amb_rh2-2.mp4 https://freight.cargo.site/t/original/i/N2748736989290491376217806855966/amb_rh1.mp4 https://freight.cargo.site/t/original/i/T2748736989308938120291516407582/amb_rh2-1.mp4 ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/V2748736989345831608438935510814/amb_rh3.mp4 https://freight.cargo.site/t/original/i/J2748737322973644925549886037790/IMG_3226.jpg https://freight.cargo.site/t/original/i/R2748737322918304693328757382942/IMG_3172.jpg ⒞ Yonsok YI, 2023. https://freight.cargo.site/t/original/i/Z2748737323010538413697305141022/IMG_7096.jpg https://freight.cargo.site/t/original/i/F2748737322899857949255047831326/IMG_3167.jpg https://freight.cargo.site/t/original/i/J2748737322789177484812790521630/IMG_0630.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/E2748737322807624228886500073246/IMG_0631.jpg https://freight.cargo.site/t/original/i/C2748737323065878645918433795870/.jpg “고통은 의복”; The Handmaiden, dir. Park Chan-wook, 2016 https://freight.cargo.site/t/original/i/D2748737323047431901844724244254/IMG_8142.jpg https://freight.cargo.site/t/original/i/F2748737322936751437402466934558/IMG_3201.jpg https://freight.cargo.site/t/original/i/D2748737322862964461107628728094/IMG_2345.jpg https://freight.cargo.site/t/original/i/L2748737322955198181476176486174/IMG_3223.jpg https://freight.cargo.site/t/original/i/I2748737322881411205181338279710/IMG_2986.jpg Yonsok YI & Yongjae Lee; two frames for two drawings from Missionary (by Yongjae Lee); 2022; multi-layered reflective glass and angled walnut; approx. the size and weight of a human head; produced for Eyes Far Lips; courtesy of the artists https://freight.cargo.site/t/original/i/G2748737322844517717033919176478/IMG_0633.jpg https://freight.cargo.site/t/original/i/Z2748737322826070972960209624862/IMG_0632.jpg https://freight.cargo.site/t/original/i/N2748737323028985157771014692638/IMG_7100.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/H2748737322992091669623595589406/IMG_5506.jpg Yonsok YI; Finale, 2021; corrugated cardboard and toothpicks; courtesy of the artist https://freight.cargo.site/t/original/i/H2748772703865671788617304629022/ambassadors_prv2.mp4 Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Y2748845604475913885079813480222/SDIM6628.jpg https://freight.cargo.site/t/original/i/R2748845604494360629153523031838/SDIM6630.jpg https://freight.cargo.site/t/original/i/Z2748845604457467141006103928606/SDIM6627.jpg https://freight.cargo.site/t/original/i/P2748845604439020396932394376990/SDIM6619.jpg ⒞ Yonsok YI, 2021. https://freight.cargo.site/t/original/i/U2748869651116532794713723100958/Screenshot-2023-07-14-at-15.45.22.jpg https://freight.cargo.site/t/original/i/X2748869651134979538787432652574/Screenshot-2023-07-14-at-15.45.25.jpg https://freight.cargo.site/t/original/i/A2748869651171873026934851755806/Screenshot-2023-07-14-at-15.45.28.jpg https://freight.cargo.site/t/original/i/A2748869651061192562492594446110/Screenshot-2023-07-14-at-15.45.10.jpg ⒞ Dymsensei, 2018. https://freight.cargo.site/t/original/i/I2748878523096541789396282367774/30.JPG ⒞ Yonsok YI, 2020. https://freight.cargo.site/t/original/i/M2748887050030202885341678657310/IMG_5442.jpg ⒞ Yonsok YI, 2022. https://freight.cargo.site/t/original/i/X2748887050011756141267969105694/27.jpg https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/E2868115577606067233639385259806/ita.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/V2868115577642960721786804363038/noma.jpg https://freight.cargo.site/t/original/i/X2868137703018290866423494074142/efla2_2023_2.jpg Yonsok YI; Ambassadors (as part of Eyes Far Lips Act.2); 2023; performance still, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868137703036737610497203625758/efla2_2023_3.jpg https://freight.cargo.site/t/original/i/N2868137703073631098644622728990/efla2_2023_5.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Tantalus, 2022, 2023; text engraving on cowhide; each 225 × 143 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/I2868137703239651795308008693534/efla2_2023_14.jpg https://freight.cargo.site/t/original/i/Y2868137703110524586792041832222/efla2_2023_7.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703092077842718332280606/efla2_2023_6.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Easel, 2022, 2023; text engraving on lambskin; each 230 × 162 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/Y2868137703055184354570913177374/efla2_2023_4.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Muyeong Kim; a Featurette: Sfumato, 2022, 2023; text engraving on cowhide; each 210 × 170 mm; courtesy of the artists; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703147418074939460935454/efla2_2023_9.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/C2868137703479459468266232864542/efla2_2023_27.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/D2868137703497906212339942416158/efla2_2023_28.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; Windmill, Seoul, Korea; Yongjae Lee; Anamorphosis, 2023; oil on linen, approx. 160 × 160 cm; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/X2868137703461012724192523312926/efla2_2023_26.jpg Yonsok YI; Eyes Far Lips Act 2; 2023; installation view, Windmill, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/H2868137703331885515676556451614/efla2_2023_19.jpg https://freight.cargo.site/t/original/i/L2868137703128971330865751383838/efla2_2023_8.jpg https://freight.cargo.site/t/original/i/I2868137703258098539381718245150/efla2_2023_15.jpg https://freight.cargo.site/t/original/i/U2868137703221205051234299141918/efla2_2023_13.jpg https://freight.cargo.site/t/original/i/S2868137703184311563086880038686/efla2_2023_11.jpg https://freight.cargo.site/t/original/i/E2868202689846198132972392800030/efl23.jpg https://freight.cargo.site/t/original/i/O2868202690086005805930616971038/piano2of3.jpg Yonsok YI; Piano (panel 2 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/W2868202689864644877046102351646/efl24.jpg https://freight.cargo.site/t/original/i/X2868202689883091621119811903262/efl25.jpg https://freight.cargo.site/t/original/i/H2868202690104452550004326522654/piano3of3.jpg Yonsok YI; Piano (panel 3 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/E2868202689495709995571911319326/efl4.jpg https://freight.cargo.site/t/original/i/T2868202689993772085562069212958/eflns1.jpg https://freight.cargo.site/t/original/i/N2868202689753964412603845041950/efl18.jpg https://freight.cargo.site/t/original/i/P2868202689514156739645620870942/efl5.jpg https://freight.cargo.site/t/original/i/L2868202690067559061856907419422/piano1of3.jpg Yonsok YI; Piano (panel 1 of 3); 2022; oil and acrylic polymer on wood panel; 25 × 100 × 4 cm; detail; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/R2868202689532603483719330422558/efl6.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/Q2868202689477263251498201767710/efl3.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/O2868202689790857900751264145182/efl20.jpg https://freight.cargo.site/t/original/i/H2868202689551050227793039974174/efl7.jpg https://freight.cargo.site/t/original/i/J2868202689440369763350782664478/efl1.jpg https://freight.cargo.site/t/original/i/M2868202689569496971866749525790/efl8.jpg https://freight.cargo.site/t/original/i/I2868202689606390460014168629022/efl10.jpg https://freight.cargo.site/t/original/i/H2868202689680177436309006835486/efl14.jpg https://freight.cargo.site/t/original/i/S2868202689587943715940459077406/efl9.jpg https://freight.cargo.site/t/original/i/D2868202689919985109267231006494/efl27.jpg https://freight.cargo.site/t/original/i/Y2868202690012218829635778764574/eflns2.jpg https://freight.cargo.site/t/original/i/B2868202689772411156677554593566/efl19.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: uma shin https://freight.cargo.site/t/original/i/S2868202689458816507424492216094/efl2.jpg https://freight.cargo.site/t/original/i/P2868202689255902322613687148318/easel-copy.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; photo: Haeyoung Kim https://freight.cargo.site/t/original/i/D2868202689809304644824973696798/efl21.jpg https://freight.cargo.site/t/original/i/R2868202689624837204087878180638/efl11.jpg https://freight.cargo.site/t/original/i/O2868202689956878597414650109726/efl29.jpg https://freight.cargo.site/t/original/i/D2868202689717070924456425938718/efl16.jpg https://freight.cargo.site/t/original/i/H2868202689643283948161587732254/efl12.jpg https://freight.cargo.site/t/original/i/E2868202689661730692235297283870/efl13.jpg https://freight.cargo.site/t/original/i/M2868202689938431853340940558110/efl28.jpg https://freight.cargo.site/t/original/i/M2868202689901538365193521454878/efl26.jpg Yonsok YI; 눈 먼 입 Eyes Far Lips; 2022; White Noise, Seoul, Korea; courtesy of the artist; video still: Chang Younghae https://freight.cargo.site/t/original/i/C2868258503071384055613853785886/nogood_10.jpg Yonsok YI; I solemnly swear I am up to no good; 2021; laser print and drawing on paper and tracing paper; installed on a glass window using order racks; courtesy of the artist https://freight.cargo.site/t/original/i/G2877688568551294993660307562270/.jpg 경향신문, Jan 6, 1955, article https://freight.cargo.site/t/original/i/L2877688637025608995270163160862/16763991834561.jpg https://freight.cargo.site/t/original/i/D2877691255005974680203438055198/images.jpg https://freight.cargo.site/t/original/i/X2877693819638356503968689676062/015.jpg ⒞ National Palace Museum of Korea https://freight.cargo.site/t/original/i/Q2877693919951750776801231363870/.jpg presumed portrait of King 순조 at age 19. Collection of the National Palace Museum of Korea. While in storage in Busan during the Korean War, most of the face—except for the area below the nose—was lost in a fire in 1954. https://freight.cargo.site/t/original/i/W2877696833983912100699100143390/kmt.jpg https://freight.cargo.site/t/original/i/Q2877701204238944091376392593182/3j7I62rlB3U3mNp5QgyUM143OIU4fDhlFEC3r3LuI28MF6c2vtnebR2kRQ9kfXN9cv69xRM01acLjdfY36rrPbAw9hKZT7lB-7mEUNVeWxxzKLJmm0w2S8m41t_GJwD_-mWYjCn7lCnZLfTEB-9Q8w.jpg https://freight.cargo.site/t/original/i/R2877715870175245941565728481054/image_readmed_2020_1029596_16021424224383560.jpg 순조 어진 <div style="text-align: right">⒞ National Palace Museum of Korea</div> https://freight.cargo.site/t/original/i/O2877715909577491283009330732830/image_readtop_2020_1029596_16021424224383558.jpg 순조 어진 (익선관본) https://freight.cargo.site/t/original/i/T2877716191203933056333055254302/.jpg 철종 어진 ⒞ National Palace Museum of Korea https://freight.cargo.site/t/original/i/Y2877716241397523680896745201438/tail.jpg Yonsok YI; Tail; 2022; oil on wood; 4 × 4 × 30 cm; courtesy of the artist; photo: Joseph Lee https://freight.cargo.site/t/original/i/J2877753141932327336157025918750/sunset5.jpg https://freight.cargo.site/t/original/i/B2877753221382454061624064728862/sunset.jpg https://freight.cargo.site/t/original/i/S2877782880408063909241634414366/goodnight.jpg ⒞ Hong Shohyun, 2023. https://freight.cargo.site/t/original/i/Q2877784989498100832749508878110/222.jpg https://freight.cargo.site/t/original/i/I2877785173541266456149705350942/444.jpg USS Monocacy https://freight.cargo.site/t/original/i/M2877785408608126187430521593630/IMG_5919.jpg US Naval History and Heritage Command photo # NH66305 https://freight.cargo.site/t/original/i/B2877811695199984479467864842014/NH-63680.jpg US Naval History and Heritage Command photo # NH63680 https://freight.cargo.site/t/original/i/A2877811916800721036940708405022/1871sujagi.jpg ⒞ Felice Beato, 1871. https://freight.cargo.site/t/original/i/I2877821963008224043604775788318/all-the-money_vermeer-copy.jpg https://freight.cargo.site/t/original/i/L2877822077045995907277223878430/all-the-money_durer-copy.jpg All the Money in the World, dir. Ridely Scott, 2017 https://freight.cargo.site/t/original/i/F2877827557592106950458718543646/Vermeer-centre-delft-exterior-header.jpg ⒞ Vermeer Centrum Delft https://freight.cargo.site/t/original/i/F2877828892767443005556064509726/PA-19.jpg https://freight.cargo.site/t/original/i/V2877829104406937763225750200094/PA-17.jpg ⒞ Goppion S.p.A. 2019 https://freight.cargo.site/t/original/i/Z2877911246134984513372655705886/reading.jpg Yonsok YI; Reading; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://freight.cargo.site/t/original/i/M2877946931306054872279128203038/555.jpg USS Palos https://freight.cargo.site/t/original/i/X2877950433475757498258631155486/NH63654.jpg USS Alaska https://freight.cargo.site/t/original/i/B2877956783066428597970812002078/May-July_1871._First_Korean_junk_bringing_dispatches_onboard_USS_Colorado_immedi.jpg https://yonsokyi.com/lns 2026-04-11T06:58:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://freight.cargo.site/t/original/i/E2757646718402963848750438276894/img20211127_22185132.jpg Yonsok YI; Thunder; 2021; digital scan (TIFF), from a Late Night Special (2021–present); courtesy of the artist https://yonsokyi.com/painting 2026-04-11T05:40:15+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2748515696983494815797946867486/N.jpg https://yonsokyi.com/space 2026-04-11T05:40:17+00:00 always 0.5 https://yonsokyi.com/room 2026-04-11T05:40:17+00:00 always 0.5 https://yonsokyi.com/13 2026-04-11T05:26:36+00:00 always 0.5 https://yonsokyi.com/info-pack 2026-04-11T05:30:27+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2740759057185660028777106497310/yee.png https://freight.cargo.site/t/original/i/N2883500228885414314294577454878/yee.jpg https://yonsokyi.com/exhibition 2026-04-09T11:46:07+00:00 always 0.5